1990s-1

JJBN:EAGLETON&JAMESON&SAID-1990

Eagleton, Terry, Fredric Jameson and Edward W. Said. Nationalism, Colonialism, and Literature. Introduction by Seamus Deane. Minneapolis: U of Minnesota P, 1990. 

CONTENTS

INTRODUCTION   Seamus Deane

NATIONALISM: IRONY AND COMMITMENT   Terry Eagleton

MODERNISM AND IMPERIALISM   Fredric Jameson

YEATS AND DECOLONIAZATION   Edward W. Said

INDEX

JJBN: LERNOUT-1990

Lernout, Geert. The French Joyce. Ann Arbor: U of Michigan P, 1990.

CONTENTS

Introduction

Chapter 1. Joyce Criticism: The Early Years

Chapter 2. Cixous, Derrida, Lacan

Chapter 3. University Criticism

Chapter 4. Joyce and Tel Quel

Chapter 5. The New Joyce in England and America

Conclusion

Bibliography

Index

ABOUT THE BOOK

The French Joyce, the first book to trace the French critical reception to James Joyce's work, is a major contribution to Joyce scholarship as well as an important historical review of the French intellectual climate from the sixties to present.

Serious French interest in the Irish writer coincided with the rise of poststructuralism, and Lernout pays particular attention to Joycean criticism by Lacan, Derrida, and Cixous, who have provided the basis for psychoanalytical, philosophical, and feminist readings. The French university critics who took Derrida's and Lacan's work as their point of departure are examined, as well as the Tel Quel and Change writers. The author also looks at the effects of French theory on the study of Joyce by American, English, and Irish critics.

The author provides a provocative critique of poststructuralist readings, arguing that such readings are in fact romantic and idealistic, and examines the particularly French climate in which this type of theory could develop and flourish. The French Joyce is essential reading for Joyceans as well as those interested in the historical development of French-born literary theories. It will appeal to students of critical theory and postwar intellectual history.

(https://www.press.umich.edu/13168/french_joyce)

JJBN:KUMAR-1991

Kumar, Udaya. The Joycean Labyrinth: Repetition, Time, and Tradition in Ulysses. Oxford UP, 1991.

CONTENTS

Abbreviations

Note on the Citations of Ulysses

1. Introduction

2. Repetition: Its Modes and Levels

3. The Structure of Ulysses and the Experience of Time

4. Ulysses and the Notion of the Sign

5. Art, Language, and Tradition: Some Remarks on 'Proteus' and Joyce's Aesthetic Theories

6. Conclusion

Bibliography

Index

ABOUT THE BOOK

This powerful and unusual study examines the relations between the textual organization of Ulysses and the notions of time, language, and poetics implicit in the novel. Making use of recent developments in philosophy and liteary theory, Udaya Kumar takes issue with those who, like Richard Ellmann, see Ulysses as a fully coherent text. Instead, he argues that the novel is a complex transitional text involving various degrees of mediation between opposing impulses such as naturalism and schematism, unification and detotalization.

   The book begins with an examination of the pervasive use of repetition in Ulysses and shows that this results in a disruption of linear time and creats a 'textual memory'. This argument is further developed in relation to the question of time and the sign, where Ulysses is shown to display a differentiated and heterogeneous temporal experience. Finally, examining Joyce's early aesthetic theories, Udaya Kumar argues that Ulysses implies a radical notion of tradition as the site of difference and of the work of art as the reperformance of elements from tradition. The concluding chapter clarifies this idea in relation to other strands in modernism and postmodernism.

JJBN:RABATE-1991

Rabate, Jean-Michael. James Joyce, Authorized Reader. Baltimore and London: The John Hopkins UP, 1991. 

 
CONTENTS

Abbrebiations and Short Titles
Preface
Introduction
ONE:
A Portrait of the Reader as a Young Dubliners
TWO
Thy Name Is Joy
THREE
The Figures of Incestitude
FOUR
Circe's Stagecraft
FIVE
Spinning Molly's Yarn
SIX
Idiolects, Idiolex
SEVEN
Languages of Eeath
EIGHT
A Portrait of the Author as a Bogeyman
Conclusion
Notes
  

ABOUT THE BOOK

Linking modernist literature with more recent developments in literary theory, Jean-Micahel Rabate's writings on James Joyce have atrracted widespread critical acclaim. Praised by Derrida and others, Rabate's work combines psychoanalytical notions (adopted from Lacan) with more traditional philosophical approaches (Joyce seen in connection with Hegel and Vico, for instance).
Examining Joyce's texts from Dubliners to Finnegans Wake, Rabate traces a number of interconnected issues and relates them to Joyce's own reading and manuscripts sources as well as to recent theoretical discussions. Among these issues are the function of the reader; the role of "perversity" (as opposed to "perversion"); the operation of what Rabate calls "the unconscious of the text"; the uncertainties of authority; the role of family relations in Jouce; and the connections between the idiosyncracies of Joyce's language and questions of idiolect, idiom, and ideology.
"Rabate writes with grace and wit, and his intimate accuaintance with French theoretical discussions informs his thinking at every point without ever becoiming overberaring; it is always Joyce and Joyce's words that hold the center of attention. He also writes  with a grasp  of Joyce scholorship and extends it un several directions. Joyce emerges as a thoroughly European writer, participating in  a culture that goes well beyond the bounds of the English language." Derek Attridge, Rutgers University 

JJBN:MACCABE-1991

マッケイブ、コリン『ジェイムズ・ジョイスと言語革命』加藤幹郎訳、筑摩書房、1991年. 

目次

第一章　理論的予備考察

第二章　メタ言語の終焉　ジョージ・エリオットから『ダブリン市民』へ

第三章　物語の終わり　『スティーヴン・ヒーロー』と『若き芸術家の肖像』

第四章　要素の根源的分離　『ユリシーズ』における読者の距離化

第五章　言葉の都市、夢の街路　『ユリシーズ』の航海

第六章　『フィネガンズ・ウェイク』の政治的読解

第七章　ジョイスの政治学

原注

書誌

著者あとがき

ジョイス・映画・訳者付記

索引

ABOUT THE BOOKS

言説、セクシュアリティ、政治

真理とは、闘争である。20世紀最大の文学的天才が生み出した〈言語＝欲望＝力〉のテクストの謎に肉迫する、批評の戦い。知的興奮にあふれる、衝撃的なジョイス論の登場！

ジェイムズ・ジョイス――20世紀文学でもっとも偉大な変革者。だが、彼のもたらした〈言語革命〉の射程は究められたと言えるだろうか？　優れたジョイス研究者であると同時に、先鋭的な映画理論誌『スクリーン』の中心メンバーのひとりとして、シャープなゴダール論の書き手でもあるコリン・マッケイブは、斬新な視野から、今日ジョイスを読むことの可能性を追求する。構造主義／ポスト構造主義の成果を踏まえ、当時のアイルランドの政治状況を見据えつつ、自己同一性に還元されぬ〈複数の主体〉への果敢なアプローチを試み続けた“政治的ジョイス像”を鮮やかに浮き上がらせる。――いま、改めてジョイスに向かい合うべき時が来ている。

JJBN:COSTELLO-1992

Costello, Peter. James Joyce: The Years of Growth 1882-1915. London: Kyle Cathie, 1992. 

CONTENTS

Illustrations (86-87, 278-279)

Preface

Prologue: 'On the Last Day . . .'

PART ONE

1 The Dead

PART TWO

2 'Baby Tuckoo'

3 Clongowes Wood

4 Bray adn Eileen

5 The Shadow of Parnell

6 The City

7 Belvedere

8 Sin and Savation

PART THREE

9 The Summer of 1898

PART FOUR
10 On St Stephen'S Green

11 The Drama of Life

PART FIVE

12 Interlude: 'Emma Clery'

PART SIX

13 Faubourg St Patrice

14 A Bowl of Green Bile

15 Stephen Dedalus

PART SEVEN

16 'Nora'

PART EIGHT
17 Dubliners on the Adriatic

18 Rome: An Infernal Machine

19 A Portrait of the Artsit

20 The Haunted Inkbottle

21 Exiles

PART NINE

22 The Living and the Dead

Appendeix I: Joyce's Holoscope

Appendix II:

Family Trees

Pedigree of Stephen

James Joyce

The Flynn Family

The Murray Family

The O'Connell Family

James Joyce's Immediate Family

James Joyce's Genetic Make-Up

Bibliography

Notes on Sources

Acknowledgements

Index

JJBN: NORRIS-1992

Norris, Margot. Joyce’s Web: The Social Unraveling of Modernism. Austin: U Texas P, 1992. 

CONTENTS

Acknowledgments

Abbreviations
PART I. THE ARTIST

Chapter 1. Texual Raveling: A Critical and Theoretical Introduction

1. Joycean Canonization and Modernism

2. Joyce, Feminism, and the Ideologically Self-Critical Text

3. Intertexted Weavings

Chapter 2. Patronage and Censorship: The Production of Art in the Social Real

1. Patronage as Communist “Grace”

2. Ibsen, Censorship, and Art’s Social Function in Stephen Hero

Chapter 3. Stephen Dedalus, Oscar Wilde, and the Art of Lying

Chapter 4. “Shem the Penman”: Joyce’s Tenemental Text

1. Cranly, Materialism, and Art

 2. Shem as Bête Noire of Modernism

PART II. THE WOMEN

Chapter 5. “Who killed Julia Morkan?”: The Gender Politics of Art in “The Dead”         

1. Stifled Back Answers

2. The Woman as Objet d’Art

3. Woman as the Other Woman

4. Songs, Romance, and the Social Real

5. The Silencing of Female Art

Chapter 6. Narration under a Blindfold: Reading the “Patch” of “Clay”

Chapter 7. The Work Song of the Washerwomen in “Anna Livia Plurabelle”

1. Samuel Butler and the Desublimation of Myth

2. The Social Politics of Washerwomen in History

3. Washerwomen’s Working Talk

4. Ablution and Absolution

Chapter 8. Modernism, Myth, and Desire in “Nausicaa"

PART III. THE CHILDREN

Chapter 9. The Politics of Childhood in “The Mime of Mick, Nick, and the Maggies”

1. Tea Parties 

 2. Exile

 3. Home

Notes

Works Consulted

Index

JJBN: CAREY AND JEWINSKI-1992

Carey, Phyllis and Ed Jewinski, editors. RE: JOYCE’N BECKETT. New York: Fordham UP, 1992. 

CONTENTS

Acknowledgement

Abbreviations

Introduction

1. Richard Ellmann’s James Joyce and Deirdre Bair’s Samuel Beckett: A Biography: The Triumphs and Trials of Literary Biography

MELVIN FRIEDMAN

2.  Joyce, Beckett and the Short Story in Oreland

JOHN FLETCHER

3. Beckett, Joyce, and Irish Writing: The Example of Beckett’s “Dubliners” Story

JOHN HARRINGTON

4. “For This Relief Much Thanks”: Leopold Bloom and Beckett’s Use of Allusion.

DAVID COHEN

5. Beckett Re-Joycing: Words and Music.

JAMES ACHESON

6. “The More Joyce Knew the More He Could and “More Than I could”: Theology and Fictional Technique in Joyce and Beckett

ALAN S. LOXTERMAN

7. Textually Uninhibited: The Playfulness of Joyce and Beckett.

MICHAEL PATRICK GILLESPIE

8. Stephen Dadalus, Balacqua Shuah, and Dante’s Pieta

PHYLLIS CAREY

9. Krapping Out: Images of Flow and Elimination as Creation in Joyce and Beckett

SUSAN BRIENZA

10. Authorship, Authority, and Self-Reference IN Joyce and Beckett

STEVEN CONNOR

11. James Joyce and Samuel Beckett: From Epiphany to Anti-Epiphany

ED JEWINSKI

12. Beckett et Joyce et Beckett-esque: A One-Act Play

DENIS REGAN

13. Joyce and Beckett: A preliminary Checklist of Publications

JOHN P. HARRINGTON

About the Contributors

Index

ABOUT THE BOOKS

This ground-breaking collection of essays combines the efforts of twelve contributors to explore previously uncharted paths in the literary relationship between James Joyce and Samuel Beckett, two of the foremost writers of the twentieth century. Eleven essays, written by scholars from Canada, England, the United States, and New Zealand, throw new light on the biographies, texts, techniques, and artistic consciousness of Joyce and Beckett as well as on fundamental questions of literary authority and influence. In addition, the volume contains the first working bibliography devoted exclusively to the Joyce-Beckett relationship. The collection culminates with an original one-act play that celebrates both writers in, with, and through the language that they each explored so profoundly.

The eleven essays provide a number of avenues for discussing the literary relationship between Joyce and Beckett: Melvin Friedman assesses the strengths and weaknesses of the Joyce and Beckett biographies by Richard Ellmann and Deidra Bair. John Fletcher and John P. Harrington provide complementary studies of two of Beckett’s early short stories in relation to their possible “counterparts” in Dubliners. James Acheson and David Cohen both draw on Ulysses and various works by Beckett to focus attention on links and divergencies between the two writers in their uses of allusions. Analyzing fictional techniques, Michael Patrick Gillespie foregrounds the impulse for gaming that Joyce and Beckett both employ as a narrative strategy. Alan Loxterman explores the techniques both writers use to raise Phyllis Carey provide complementary reading of artistic consciousness, Brienza drawing attention to bodily fluids and elimination as images of creation, and Carey focusing on the divergent debts of both writers to Dante. Finally, Steven Connor and Ed Jewinski attack the problems od “authority” and “influence,” respectively, in the process illuminating differences in modernist and postmodernist understandings of theses concepts.

A bibliography of well over one hundred entries, compiled by John P. Harrington, lists the most substantive discussions of the Joyce Beckett relationship Denis Regan’s one-act play, Beckett relationship. Denis Regan’s one act play, Becket et Joyce et Beckettesque, creates a medley od Beckett and Joyce echoes through imaginative dialogues in the afterlife mind of Samuel Beckett. Although the volume was in progress when Samuel Beckett died in December 1989, it now serves as a memorial and a tribute to both Samuel Beckett and James Joyce.

PHYLLIS CAREY is Associate Professor of English at Mount Mary College, Milwaukee, Wisconsin. She has published on Joyce and Beckett in the James Joyce Quarterly, has delivered papers on Joyce-Beckett panels in Frankfurt and Milwaukee, and has published several essays on Beckett. She is currently co-editing a collection of essays on Seamus Heaney and working on a book-length study of Beckett and Vaclav Havel.

ED Jewenski is Associate Professor of English at Wilfrid Laurier University, Waterloo, Ontario. He is the co-editor of Magic Realism in Canadian Literature and has published articles on Beckett, Lawrence, and several Canadian writers, including Leacock, Livesay, Birney, and Pratt. He has served on the editorial board of The English Quarterly, Jewish Dialogue, and The New Quarterly. 

JJBN: WALES-1992

Wales, Katie. The Language of James Joyce. London: Macmillan, 1992.

CONTENTS

Preface

Acknowledgement  and Editions Used

Abbreviations and Symbols

1 Joyce and Irish English

1.1 Introduction: The History of English in Ireland

1.2 Joyce and Hiberno-English

1.3 Joyce and Anglo-Irish Literature

1.4 Conclusion: The Joycean Paradox

2 Joyce and Rhetoric: Dubliners and A Portrait of tech Artist as a Young Man

2.1 Introduction: Joyce and Rhetoric

2.2 Repetition in Dubliners 

2.3 Emotive Rhetoric in A Portrait of the Artist as a Young Man

2.4 Conclusion: A Portrait of the Artist as a Rhetorician

3 Joyce's Voices in Ulysses 

3.1  The Voices of Ulysses

3.2 'The Steady Monologue of the Interiors' (FW: 119)

3.3 The 'Inner Voices' of Stephen Daedalus and Leopolod Bloom

3.4 The Female Voice: Molly's Monologue

3.5 Conclusion: The Dialogue of Voices in Ulysses

4 The Play of Language in Ulysses

4.1 Introduction: Joyce and the Lidic(rous)

4.2 The Play of Sound and Symbol

4.3 Dislocations of Syntax

4.4  Lexical Creativity 

4.5 Licenses of Meaning

4.6 Comic Word-Play

4.7 The Art of Parody

4.8 Conclusion: A Portrait of the Artist as a Joker

5 The 'ideal Reader' of Finnegans Wake

5.1 Introduction: To Read, or Not to Read . . .

5.2 The Reader's Progress to Finnegans Wake

5.3 Putting the Language to Sleep

5.4 Here Comes Everything: Endlessly Repeated

5.5 'The Key to. Given!' (FW: 628)

5.6 Conclusion: The 'Ideal Reader of Finnegans Wake Appendix to Chapter 5

Notes 

Further Reading

Index

ABOUT THE BOOK

The Language of James Joyce offers the First comprehensive survey of Joyce's language since Anthony Burgess's Joysprick in 1973, and offers an up-to-date approach in the light of recent work in stylistics, feminist theory and Bkhtinian theory of the novel. It also attempts to place Joyce's work very clearly in the Anglo-Irish tradition, and offers a detailed chapter therefore on Joyce's use of Hiberno-English. The book is written specifically for undergraduate student s and general readers interested in Joyce who may lack a linguistic background. None the less the book aims to show that no student Joyce can afford to ignore such an important dimension of his writing.

JJBN: CHENG&MARTIN-1992

Cheng, Vincent J. and Timothy Martin, editors. Joyce in Context. Cambridge: Cambridge UP, 1992.

CONTENTS

List of illustrations 

Notes on contributors 

Acknowledgments 

Abbreviations

Editors'  introduction

1  The 1989 conference: a retrospect

    Timothy Martin

PART I  THE MODERNIST CONTEXT

2  Is there a case against Ulysses? 

    Denis Donoghue

3  Woolf and Joyce: reading and re/vision

    Johanna X. K. Garvy

4  Joyce and Ford Madox Ford

    Vincent J. Cheng

5  Joyce and Freud: discontent and its civilizations

    Brian W. Shaffer

PART II   THE CONTEXT OF THE OTHER: JOYCE ON THE MARGINS

6  Cheating on the father: Joyce and gender justice in Ulysses

    Colleen R. Lamos

7  Demythologizing nationalism: Joyce's dialogized Grail myth

    Theresa O'Connor

8  Joyce and Michelet: why watch Molly menstruate?

    Bonnie Kime Scott

9  Re-visioning Joyce’s masculine signature

    Suzette Henke

PART III  CONTEXTS FOR JOYCE

10  "Scrupulous meanness" reconsidered: Dubliners as stylistic parody

    Roy Gottfried

11  Joyce and Lacan: the twin narratives of History and His[S]tory in the "Nestor" chapter of Ulysses

    Garry M . Leonard

12  Joyce and Homer: return, disguise, and recognition in "Ithaca"

    Constance  V. Tagopoulos

13  James Joyce and cartoons

    Dan Schiff 

PART IV  RE-READING JOYCE: JOYCE IN HIS OWN CONTEXT

14  Refining himself out of existence: the evolution of Joyce's aesthetic theory and the  drafts of A Portrait 

     Ian Crump

15  Entering the lists: sampling early catalogues

     Fritz Senn

16  Cataloguing in Finnegans Wake: counting counties

     Bernard Benstock

17  Translating Ulysses, East and West

     Di Jin

 Index  

JJBN: FAIRHALL-1993

Fairhall, James. James Joyce and the Question of History. Cambridge: Cambridge UP, 1993. 

CONTENTS

List of illustrations

Preface

List of abbreviations

Introduction: What is History?

1   The murders in the park

2   Literary politics

3   The paralyzed city

4   Growing into history

5   Ulysses and the Great War

6   Reforming the wor(l)d

7   Afterword: language and history

Notes

Bibliography

Index

ABOUT THE BOOK

This ground-breaking book examines the work of James Joyce as a response to Irish and European history. Fairhall situates Joyce in his historical moment and explores Joyce's attitudes towards colonialism, nationalism, World War I, gender, and class. Although the book draws on a wide range of critical theories, it is clearly written and is accessible to any reader interested in the relation between Joyce's works and history.

'An exemplary analysis ... No reader of Joyce could fail to benefit from this discussion.'

Irish Studies Review

'An excellent book. To the vexed question of the political dimensions of Joyce's writings it brings an awareness of the complexity of the relation between literary texts and historical contexts, while at the same time providing historical material that will enrich readings of his works.'

Derek Attridge

JJBN: FRIEDMAN-1993

Friedman, Susan Stanford, ed. Joyce: The Return of the Repressed. Ithaca and London: Cornell UP, 1993. 

CONTENTS

     Acknowledgments

     List of Abbreviations for Texts by James Joyce

     Introduction 

       Susan Stanford Friedman

PART I   Making the Artist of Modernity: Stephen Hero, Portrait, Ulysses   

   1 (Self)Censorship and the Making of Joyce’s Modernism     

      Susan Stanford Friedman   

   2 Pharmaconomy: Stephen and the Daedalids     

      Alberto Moreiras

PART II  Repression and the Return of Cultural History: Dubliners and Portrait   

   3 Uncanny Returns in “The Dead”: Ibsenian Intertexts and the Estranged Infant     

      Robert Spoo   

   4 A Portrait of the Romantic Poet as a Young Modernist: Literary History as Textual Unconscious

      Jay Clayton   

   5 Simon’s Irish Rose: Famine Songs, Blackfaced Minstrels, and Woman’s Repression in A Portrait

      Richard Pearce

PART III  Narratives of Gender, Race, and Sex: Ulysses   

   6 Races and Chains: The Sexuo-Racial Matrix in Ulysses     

      Laura Doyle   

   7 Staging Sexuality: Repression, Representation, and “Interior” States in Ulysses     

      Joseph A. Boone

PART IV  Incest, Narcissism, and the Scene of Writing: Ulysses and Finnegans Wake   

   8 The Preservation of Tenderness: A Confusion of Tongues in Ulysses and Finengans Wake

      Marilyn L. Brownstein   

   9 Texual Mater: Writing the Mother in Joyce      

      Ellen Carol Jones 

  10 Mothers of Invention/Doaters of Inversion: Narcissan Scenes in Finnegans Wake     

      Christine Froula   

     Notes on Contributors   

     Index

ABOUT THE BOOK

“A vital collection that skillfully combines analysis of the art of Joyce and the ideas of Freud with the exciting new insights of cultural criticism. The quality of the essay is extraordinarily high, and this synthesis of Freud and social issues suits the latest trends in a powerful way.”

―Sheldon Brivic, Temple University

Did James Joyce, that icon of modernity, spearhead the dismantling of the Cartesian subject? Or was he a supreme example of a modern man forever divided and never fully known to himself? 

     This volume reads the dialogue of contradictory cultural voices in Joyce's works – revolutionary and reactionary, critical and subject to critique, marginal and central. It includes ten essays – all but two of them published here for the first time – that identify repressed elements in Joyce's writings and examine how psychic and cultural repressions persistently surface in his texts. Individual chapters explore interconnections among the psychic and the political, the textual and the historical, theerotic and the linguistic in Stephen Hero, Dubliners, A Portrait of the Artist as a Young Man, Ulysses, and FinnegansWake. Adapting divergent methodologies, the essays employ interpretive strategies drawn from psychoanalytic criticism, feminist criticism, new historicism, deconstruction, narrative theory, Marxism, and cultural studies.

     The first collection of psychoanalytically oriented essays devoted entirely to Joyce, this book will be invaluable for students and scholars of literary theory, psychoanalytic and feminist criticism, and cultural studies, and others with an interest in literary modernism and Irish literature.

CONTRIBUTORS: Joseph A. Bone. Marylyn L. Brownstein. Jay Clayton. Laura Doyle. Susan Stanford Friedman. Christine Froula. Ellen Carol Jones. Alberto Moreiras. Richard Pearce. Robert Spoo.

SUSAN STANFORD FREIDMAN is Virginia Woolf Professor of English and Women’s Studies at the University of Wisconsin, Madison. She is also the author of Psyche Reborn: The Emergence of H.D. and Penelope’s Web: Gender, Modernity, H.D.’s Fiction and the coeditor, with Rachel Blau DuPlessis, of Signets: Reading H.D.

JJBN: SEGALL-1993

Segall, Jeffery. Joyce in America: Cultural Politics and the Trials of Ulysses. Berkeley: U of California P, 1993.

CONTENTS

Introduction: The Polemics of Our Portraits.

1.  "James Joyce or Socialist Realism?" Marxist Aesthetics and the Problem of Ulysses

2.  "Kulturbolschewismus Is Here": Joyce and American Cultural Conservatism

3.  Between Marxism and Modernism: Joyce and the Dissident Left

4.  "On the Side of the Angels": Joyce and the New Critics

5.  The High Priest of Their Imagination: Joyce and His Catholic Critics

Conclusion: The Politics of Parallax, or the Transubstantiation of Joyce's Political Soul

Notes

Works Cited

Index

ABOUT THE BOOK

"We must understand the controversy that enveloped Ulysses during the 1920s and 1930s as a demonstration of both its real and its symbolic powers of provocation. Readers praised or denounced it for what it was (as much as they could construe this) as well as for what it represented (often determined without the benefit—or burden—of having read it). It was difficult to separate Ulysses from the aura of notoriety surrounding it, a task made more difficult by the novel's obscurity (particularly in the years before the publication of Stuart Gilbert's James Joyce's "Ulysses" in 1930) and by its unavailability. American readers in particular often viewed Ulysses as symptomatic of a host of social, cultural, and political changes they deplored. Judgments for or against Ulysses frequently reflected a critic's own hope or anxiety over an age in which, as Marx had prophesied, all that was solid seemed to be melting into air. Ulysses became a cultural nexus over which critics with opposed ideological perspectives did battle."

　In America, allegations that Ulysses was both obscene and blasphemous heightened interest in it and created controversy even before it was permitted to be published in 1933. Moralists and ideologues from various quarters found in Ulysses an amorphous but still attractive target for their suspicions and outrage. Three issues of the Little Review , which serialized Ulysses from 1918 to 1920, were seized and banned by the U.S. Post Office, and in September, 1920, the New York Society for the Prevention of Vice lodged an official complaint against its editors, Margaret Anderson and Jane Heap. In February of 1921, Heap and Anderson were convicted of publishing obscenity, fined fifty dollars, and prohibited from publishing additional chapters from Ulysses . It was not until Judge John M. Woolsey's historic decision lifting the ban on Ulysses on December 6, 1933 (upheld by the District Court of Appeals on August 8, 1934) that Ulysses could be legally published and sold in America "(Introduction, ii-iii)

JJBN: STANISLAUS-JOYCE-1993

スタニスロース・ジョイス『兄の番人―若き日のジェイムズ・ジョイス』宮田恭子訳、みすず書房 1993年 

⇒原著 Joyce, Stanislaus. My Borther's Keeper. The Viking P, 1969.

CONTENTS

　序文　T.S. エリオット

　序論　リチャード・エルマン

第一章　土壌

第二章　発芽

第三章　早春

第四章　成熟

第五章　開花

　原注

　訳者解説

　索引

ABOUT THE BOOK

「本書は、有名な作家と、その存在を世に知られることのなかった弟の関係を見事に描いている。……私はこの本を二回読んだ……兄の回想というテーマにとりつかれたスタニスロースは、肌に刺さった刺に苛立ちながらも、彼自身作家となり、兄の作品と並んで書架に永遠の座を占める本の著者となった」（T.S. エリオット）

　スタニはつねに兄の間近にいて行動を共にし、ジェイムズの言動を注視した、余人には不可能な弟の視点から、彼は兄の宗教観の推移やアル中の父親への愛情、家族関係、読書・創作歴、イェイツ等との交友関係、さらに性生活までをも詳細に語り、独自の見解を述べている。とりわけ『ダブリンの人びと』や『若き芸術家の肖像』の成立背景を明らかにしている本書は、作家の幼少期から大陸に移り住むまでのダブリン時代を扱ったユニークな回想録であると同時に、この天才の文学理解に欠かせぬ基本的文献となっている。T.S.エリオットの序文とリチャード・エルマンの序論を一読すれば、本書の価値は一目瞭然である。

JJBN:KAWAGUCHI-1994

川口喬一『「ユリシーズ」演義』　研究社出版、1994. 

目次

まえがき

第一章　マーテロ塔にて

「ワレ神ノ祭壇ニ赴カン」「二つの強く鋭いホイッスルが……」先行詞のない代名詞　情報伝達のギャップ　ディエゲーシスとミメーシス　岸辺に何人の人物がいるか？　独白の中の引用文

第二章　デイジー校長の学校で

「ムネーモシュネーの娘たちが……」　授業風景　スティーヴンの月給

第三章　サンディマウントの浜辺にて

 産婆のカバンと砂まみれの雨傘　プラムをかじる老婆たち　変容する人物たち　試作するスティーヴン　牧神の時　「三本マストの帆船が……」

第四章　ブルーム家の朝

ミスター・ブルームの朝の装束　ブルーム家の朝食　行き交う手紙たち　娘ミリーからの手紙　後架上の芸術家ブルーム

第五章　街を行くヘンリー・フラワー

郵便局のほうへ　マーサ・クリフォードからの手紙　薬局へ行くレオポルド・ブルーム　アスコット・ゴールド・カップ競馬

第六章　グラスネヴィン墓地に向けて

葬儀車は行く　「彼は午後にやって来る」　父の死　艀に乗った男は誰か？　視界から消えるブルーム　一三番目の男は誰か？　ブルームは独り

第七章　新聞社にて

新聞の見出しのもとに　職業人ブルーム　電話をするブルーム　ブルーム退場　起源なき反復――デイジー校長の投稿論文　レネハンの競馬情報　ムーニー酒場へ　ブルームとスティーヴン――語りの多層化　見出し――テクストを切り裂くもう一つの声

第八章　昼飯どきのブルーム

チラシとカモメ　移動するメッセージ　「あのころは幸せだった」　ホウス岬の羊歯の陰で　ブルームの終末意識　迫りくるボイランの時間　ブルームの懐中時計――もう一つの装具　「クロース・エンカウンター」――ボイランがいる　

第九章　図書館にて

伝記的解釈　シェイクスピア論　アントラクト（幕間狂言）　ジャンルの越境　戯れる語り手　すれ違うスティーヴンとブルーム

第一〇章　ダブリンの人びと

一九の基本的情景　コンミー神父――持続する物語　同時性と異所性　一組の男女　モリーとボイラン　立ち読みするミスター・ブルーム　排除としての意識の流れ　ダブリン城の馬車と救急車――因果律と偶発性　アイルランド総監のお通りだ

第一一章　オーモンド・ホテルにて

序曲あるいはオーケストラ・チューニング　二つのテクストの並列　盗用する語り手　合流するテクストたち　リリリン・シャラリン――移動するボイラン　注文する人／給仕する人　「メット・ヒム・パイク・ホージズ」　手紙を書くブルーム　遠ざかる音／近づく音　トン・トン・トン――ピアノ調律師が戻って来る　ルル・プルル――退場するブルーム

第一二章　キアナンの酒場にて

一人称の語り――語るのは誰か　一つ目巨人の洞窟にて　またしてもブルーム夫人　「国家とは何だと思いますか？」　噂の中のブルーム――ユダヤ性　パロディ――昇天するエリヤ・ブルーム　ジョイスの文体練習――三三のパロディ集　パロディの動機　アンチ・ナレーションに向けて　はじめにパロディありき

第一三章　ふたたびサンディマウントの浜辺にて

初夏の夕暮れ　ガーティ・マクダウェル　教会と浜辺――並列する描写　蹴られたボール　おお罪人よ！――テクストの交接　懐中時計と花火　現象学者ブルームの考察　モリーとマルヴィーとボイランとブルーム　ガーティは誰か　浜辺の謎の男について　ディエゲーシスの残滓　夕刊を買うディグナム少年　砂に書かれたメッセージ

第一四章　産院にて

産院での出来事　文体の歴史――言語の不透明化　ブルームと六人の仲間たち　バニヤンの説話物語　マリガンとバノンの登場　スターン的「ドゥーブル・アンタンドル」　ゴシック・ロマンス――ヘインズの亡霊　ルビー色の三角印　ブルームとスティーヴンの出会い　最後の御言葉――バークの店へ！

第一五章　夜の街にて

プロローグ――幽鬼の街へ　ブルーム登場　地獄の門に向けて――裁かれるブルーム　娼家の戸口にて――ジャガイモを失うブルーム　新しき女性的男性と偽救世主　ブルームとスティーヴン――幻想の並列　偽雨合羽の男――ボイラン？　娼家の女将ベラ・コーエン　娼家での支払い　「どこかで手を怪我したらしい」　ブルームの夢／スティーヴンの夢　死の舞踏　黒ミサ――「ダブリン燃える」

第一六章　御者溜まりにて

既製品としての言語　確認される情報――再登場する人物　「名前がなんだ」――船乗りマーフィーの法螺話　プリマドンナ――色あせた一枚の写真　「アイルランドが大切なわけは……」　新聞を読むブルーム　家路をたどるブルーム父子（？）

第一七章　ふたたびブルーム家にて

教理問答　ブルーム家に向けて　鍵を持たぬ二人　食器戸棚の中身　引きちぎられた馬券　語りの無償性　ストゥーム／ブリーヴン　滞在の勧め　裏庭――荒野への脱出　居間のブルーム　収支決算書　引き出しの中身　エピローグ

第一八章　女／性のファンタジー

「明日の朝食はベッドで」　最後の交渉　ボイランとの情事　ジブラルタルの思い出　誤用作者モリー　歌うモリー　ブルームの恋文　「倒錯者」ブルーム　スティーヴンについて　ロードデンドロンの

茂みの中で

あとがき
索引（主要人物・主要項目）

帯より

ジョイスの傑作『ユリシーズ』全１８章の言葉と物語を読む
出版後70年、つねに話題作であり続けた『ユリシーズ』。しかしわれわれはこの世紀の問題作について、その物語性、そのテクスト性について、どれだけのことを知っているだろうか。著者は長年の『ユリシーズ』との付き合いに基づいて、華麗に変容するジョイスの言葉たちがつぎつぎに豊かな物語を紡いでいくありさまを、その基本から語る。

著者の「あとがき」から
もちろんこの作品（『ユリシーズ』）についてはこちたき議論が世に溢れている。優れた研究所も少なくない。しかし、これがいかに面白い、物語性とテクスト性に溢れ、習慣性の毒をいかに多量に含むものであるかを、きちんと基本から語った本はない。作品のあちこちを拾い読みするだけで、生かじりの最新の文学理論をつきあわせ、『ユリシーズ』は「アンリーダブル」であるなどとまことしやかな説を吹聴するのではなく、まず物語の面白さ、そこに使われている言葉の豊かさを語ること、これが本書の狙いであった。

JJBN:DUFFY-1994

Duffy, Enda. The Subaltern Ulysses. Minneapolis: U of Minnesota P, 1994. 

CONTENTS

Acknowledgments

Notes on the Text

Introduction: Postcolonialism and Modernism: The Case of Ulysses

1. Mimic Beginnings: Nationalism, Ressentiment, and the Imagined Community in the Opening of Ulysses
2. Traffic Accidents: The Modernist Flanuer and Postcolonial Culture
3. "And I Belong to a Race . . .": The Spectacle of the Native and the Politics of Partition in "Cyclops"
4. "The Whores Will Be Busy": Terrorism, Prostitution, and the Abject Woman in "Circe"
5. Molly Alone: Questioning Community and Closure in the "Nostos"

Notes 

Index

ABOUT THE BOOK

In the years between 1914 and 1921, as Joyce was composing Ulysses, Ireland became the first colony of the British Empire to gain its independence in this century after a violent anticolonial war. Duffy juxtaposes Ulysses against documents and photographs from the archives of both empire and insurgency, as well as against recent postcolonial literary texts, in order to analyze the political unconscious of subversive strategies, including twists on class and gender, that render patriarchal colonialist culture unfamiliar. 

     Ulysses, Duffy argues, is actually a guerrilla text, and he demonstrates how Joyce's novel pinpoints colonial regimes of surveillance, mocks imperial stereotypes of the "native," exposes nationalism and other chauvinisitic ideologies of "imagined community" as throwbacks to the colonial ethos, and proposes versions of a postcolonial subject. A significant intervention in the massive "Joyce industry" founded on the rhetoric and aesthetics of high modernism, Duffy's insights show us both Ulysses and the origins of postcolonial textuality in a startling new way.

Enda Duffy is assistant professor of English at the University of California, Santa Barbara.

NOTES

90年代に多く出版されたポストコロニアル批評のひとつである本書は、『ユリシーズ』が執筆されていたまさにその時にアイルランドで頻発していた武装蜂起とテクストの関係を明らかにする。『ユリシーズ』は1904年のある一日を描いているが、その10年後～15年後にジョイスによって遡及的に書かれた。1904年時点では1916年のイースター蜂起に代表される激しい武装蜂起は起きていないが、それらの出来事はうっすらと影のようにテクストをつきまっており、その影響を無視することはできないとダフィは主張する。各章の冒頭で内戦に関わる史料などを掲載し、その強烈なイメージに引きつけるようにして議論を展開していくのはダフィの書き方の大きな特徴であるが、そこにジョイスを政治の土台へと引き入れようとする気概が感じられる。批評用語が解説もなく使われている点、難解ではあるが、『ユリシーズ』執筆時の現実世界のダブリンとジョイスのフィクションのダブリンを並置する視点はジョイスに政治を読み込む際には欠かせないものだろう。（H）

JJBN: SCHWARZ-1994

Schwarz, Daniel R., ed. James Joyce The Dead: Complete, Authoritative Text with Biographical and Historical Contexts, Critical History, and Essays from Five Contemporary Critical Perspectives. Boston: Bedford / St. Martin’s, 1994 .

CONTENTS

About the Series
About This Volume

PART ONE “The Dead”: The Complete Text
Introduction: Biographical and Historical Contexts
The Complete Text

PART TWO “The Dead”: A Case Study in Contemporary Criticism
A Critical History of “The Dead”

Psychoanalytic Criticism and “The Dead”
What Is Psychoanalytic Criticism?
Psychoanalytic Criticism: A Selected Bibliography
A Psychoanalytic Perspective:
 DANIEL R. SCHWARZ, Gabriel Conroy’s Psyche: Character as Concept in Joyce’s “The Dead”

Reader-Response Criticism and “The Dead”
What Is Reader-Response Criticism?
A Reader-Response Criticism: A Selected Bibliography
A Reader-Response Perspective:
       PETER J. RABINOWITZ, “A Symbol of Something”: Interpretive Vertigo in “The Dead”

The New Historicism and “The Dead”
What Is the New Historicism?
The New Historicism: A Selected Bibliography
A New Historicist Perspective:
       MICHAEL LEVENSON, Living History in “The Dead”

Feminist Criticism and “The Dead”
What Is Feminist Criticism?
Feminist Criticism: A Selected Bibliography
A Feminist Perspective:
       MARGOT NORRIS, Not the Girl She Was at All: Women in “The Dead”

Deconstruction and “The Dead”
What Is Deconstruction?
Deconstruction: A Selected Bibliography
A Deconstructionist Perspective:
       JOHN PAUL RIQUELME, For Whom the Snow Taps: Style and Repetition in “The Dead”

Glossary of Critical and Theoretical Terms
About the Contributors

ABOUT THE BOOK 

About this volume
This edition of Joyce’s classic short story from Dubliners presents the 1969 Viking critical edition, prepared by Robert Scholes, along with five critical essays – newly commissioned or revised for a student audience – that read The Dead from five contemporary critical perspectives:

 Psychoanalytic Criticism by Daniel R. Schwarz
 Reader-Response Criticism by Peter J. Rabinowitz
 The New Historicism by Michael Levenson
 Feminist Criticism by Margot Norris
 Deconstruction by Jean Paul Riquelme

Each critical essay is accompanied by a succinct introduction to the history, principles, and practice of the critical perspective, and by a bibliography that promotes further exploration of that approach.

In addition, the text and essays are complemented by an introduction providing biographical and historical contexts to Joyce and The Dead, a survey of critical responses to the novel since its initial publication, and a glossary of critical and theoretical terms.

JJBN: GIBSON-1994

Gibson, Andrew, ed. European Joyce Studies 3: Reading Joyce’s “Circe.” Amsterdam: Rodopi, 1994.

CONTENTS

Bibliographical Note

Introduction

Andrew Gibson

Ulysses 15 and the Irish Literary Theatre

L.H. Platt

“Circe” as Harking Back in Provective Arrangement

Fritz Senn

‘Jigajiga…Yummyyum…Pfuiiiiiii!...Bbbbblllllblblblblobschb!’ “Circe’s” Ventriloquy

Steven Connor

‘Toft’s Cumbersome Whirligig’: Hallucinations, Theatricality and Mnemotechnic in V.A.19 and the First Edition Text of “Circe”

R.G. Hampson

‘Strangers in my House, Bad Manners to Them!’: England in “Circe”

Andrew Gibson

‘Everything’ in "Circe"

Richard Brown

‘Bloom Passes Through Several Walls’: The Stage Directions in “Circe”

Katie Wales

Appendix: The Deliverer and Ulysses 15

L.H. Platt

JJBN: THORNTON-1994

Thornton, Weldon. The Antimodernism of Joyce’s Portrait of the Artist as a Young Man. Syracuse : Syracuse UP, 1994.

CONTENTS

     Preface

     Acknowledgments

     Abbreviations

1.  Introduction

PART ONE Contexts

2.  Literary Modernism

3.  Joyce’s Assumptions and Aims

4.  The Antimodernist Implications of the Bildungsroman

PART TWO　A Portrait of the Artist

5.  The Structures

6.  The Verbal Simulation of Stephen’s Psychic Milieu

7.  Motif/Complex/Allusion

     Notes

     Bibliography

     Index 

JJBN: MARTIN-1990

Martin, Augustine, editor. James Joyce: The Artist and the Labyrinth. Ryan Publishing, 1990.

CONTENTS

The artist and the labyrinth / Augustine Martin

The language of Dubliners / TP Dolan

Joyce's legacy / Benedict Kiely

Dubliners / John McGahern

Survivors of Joyce / John Banville

A portrait of the artist as a young man / Deirdre Bair

Stephen's green : the image of Ireland in Joyce / Colbert Kearney

The poet Joyce / Eamon Grennan

Directing "Exiles" / Vincent Dowling

The rhythm of Ulysses / Clive Hart

Joyce and Homer : seeing double / Barbara Hardy

The ghosts of Ulysses / Maud Ellman

Finnegan's wake : night Joyce of a thousand tiers / Petr Skrabanek

Joyce and the folk imagination / Maureen Murphy

Joyce's precursors / A Norman Jeffares

Pound's Joyce, Eliot's Joyce / Denis Donoghue

Joyce's humanism / Brendan Kennelly

Joyce and Gogarty : royal and ancient, two hangers-on / Ulick O'Connor

JJBN: BENSOTCK-1994

Benstock, Bernard. Narrative Con/Texts in Dubliners. Macmillan P, 1994.

CONTENTS

A Note on the Text

Introduction: A Confluence of Texts

Narrative Strategies: The Teller in the Dubliners Tale

Narrative Gnomonics: The Spectres in the Tales

Symbolic Systems: Correspondences in the Tales

Pounds/Shillings/Pence: The Economics in the Tales

Double Binds: Talismans of Immaturity

Duplicitous Bonds: Talents of Maturity

Index

JJBN: NORRIS&FLINT-1994

Norris, David and Cark Flint. Joyce for Beginners. Icon Books, 1994.

ABOUT THE BOOK

James Joyce is one of the key innovators of modernism, along with such figures as Picasso, Schoenberg and Stravinsky. However, a myth of Joyce's "difficulty" has taken root which discourages many readers from approaching his work. This is a great pity, because Joyce's writings are deeply human, enormously comic and make compelling reading.;Although Joyce spent much of his life in self-imposed exile, all his writings are obsessively, microscopically focussed on Dublin's fair city. This book provides a beginner's map to the labyrinth of Joyce's visionary Dublin. It takes the reader step by step from the early stories, "The Dubliners", and his immensely readable novel, "A Portrait of the Artist as a Young Man", into the sprawling comic universe of "Ulysses" and finally to the mythic dreamworld of "Finnegan's Wake". This book aims to persuade the reader to overcome his or her doubts about tackling the Irish Sphinx.

JJBN: MIHHAIL-1990

Mikhail, E. H., editor. James Joyce: Interviews and Recollections. Macmillan P, 1990.

CONTENTS

Foreword by Frank Delaney

Acknowledgements

Introduction

A Note on the Text

Chronological Table

INTERVIEWS AND RECOLLECTIONS

A Sister Recalls Joyce in Dublin

May Joyce Monaghan

James Joyce at Belvedere College

John Francis Byrne

Reuben Didn't Admire James Joyce!

Francis Aylmer

'The White Bishop'

John Francis Byrne

'Diseases of the Ox'

John Francis Byrne

My School Friend, James Joyce

judge Eugene Sheehy

'An Extremely Clever Boy'

George Russell

'The Younger Generation is Knocking at My Door'

W. B. Yeats

'Joyce has Grit' Lady Gregory 19 'Jim's Character is Unsettled'

Stanislaus Joyce

James Joyce: a Portrait of the Artist

Oliver Stjohn Gogarry

The Beginnings of Joyce

William K. Magee [John Eglinton]

James Joyce as a Young Man

Padraic Colum

Joyce Among the Journalists

Piaras Biaslai

A Recollection of James Joyce

joseph Hone

James Joyce in Trieste

Italo Svevo

James Joyce: Two Reminiscences

Antonio Fonda Savio and Letizia Fonda Savio

Recollections of Joyce

Alessandro Francini Bruni

My First English Teacher

Mario Nordio

James Joyce: an Occasion of Remembrance

Nora Franca Poliaghi

Pappy Never Spoke of Jim's Books

Eileenjoyce Schaurek

Recollections of James Joyce

Frank Budgen

How I Published Ulysses

Sylvia Beach

The Joyce I Knew

Arthur Power

First Meeting with James Joyce

Wyndham Lewis

Visits with James Joyce

P. Beaumont Wadsworth

James Joyce in the Twenties

Morrill Cody

Joyce's Way of Life

Sylvia Beach

Afternoon with James Joyce

Fanny Butcher

I Met James Joyce

Nina Hamnelt

Joyce's Birthday Parties

Sisley Huddleston

At Lloyd Morris's Party

Glenway Wescott

A Drink with Joyce

Ernest Hemingway

With James Joyce

Robert McAlmon

The James Joyce I Knew

James Stephens

I Meet, in Time and Space, JamesJoyce

Robert Reid

At a Party with James Joyce

Caresse Crosby

James Joyce in Paris

Aldous Huxley

We Established No Intimacy

Richard Aldington

James Joyce

George Antheil

A Study of James Joyce

Elliot Paul

Visits fromJamesJoyce

Nancy Cunard

James Joyce: a Sketch

Desmond Harmsworth

James Joyce in Paris

Margaret Anderson

I Saw Joyce Only Once

Katherine Anne Porter

Homage to James Joyce

Eugene Jolas

Homage to James Joyce

Philippe Soupault

Homage to James Joyce

Thomas McGreevy

An Encounter with Joyce

Arthur Bliss

Joyce's Fiftieth Birthday

Rollo H. Myers

Joyce

Virgil Thomson

James Joyce in Paris

Harold Nicolson

James Joyce

Gerald Griffin

James Joyce: a First Impression

James Stern

The Joyces

Giorgio Joyce

Worth Half-a-Dozen Legations Kenneth Reddin

James Joyce in Paris Mary Colum

Some Recollections of James Joyce: in London

Sylvia Lynd

The Living Joyce

Louis Gillet

James Joyce as Man and Artist

C. P. Curran

Sisters of James Joyce Mourn for Two Brothers

Memoir of the Man

Arthur Power

Joyce's Burial

Hans Gasser

I Met James Joyce's Wife

Kees Van Hoek

James Joyce's 'Nurse' Remembers

Peter Lennon

Sister

May Joyce Monaghan

Ecce Puer

Stephen Joyce

Additional Bibliography

Index

ABOUT THE BOOK

This work attempts to provide a portrait of Joyce from many viewpoints, aiming at selecting those interviews and recollections that have not been reprinted as well as those that are not readily accessible. James Joyce was a self-centred man. Unlike Wilde and Behan, who were too busy living to write, Joyce, like O'Casey and Yeats, gave the totality of his life to his art. He did not find his diversion in his friends because of the exigencies of his work. However, he was not unsociable - he was capable of strong friendships and the number of people who knew him was enormous, as this collection tries to reflect.

JJBN: LERNOUT-1990-2

Lernout, Geert, editor. Finnegans Wake: Fifty Years. Editions Rodopi B. V., 1990.

CONTENTS

Bibliographical Note

Introduction

Geert Lemout

Reading Joyce's Notebooks?! Finnegans Wake From Within

David Hayman

In the buginning is the woid: James Joyce and Genetic Criticism

Claude Jacquet

Digressions of the Book for AlleMannen

Elisabeth Ruge, Reinhard Schafer, Dirk Vanderbeke

Vico's Method and its Relation to Joyce's

Klaus Reichert

Vexations of Group Reading: "transluding from the otherman"

Fritz Senn

Metaphors of the Quest in Finnegans Wake

Laurent Milesi

HCE and the Fall of Pelagius

Vincent Deane 

ALP's "Sein" und "Zeit": Questions of Finnegans Wake's Being and Language in a Philosophical Context

Alan Roughley

The Letter! The Litter! The Defilements of the Signifier in Finnegans Wake

Hanjo Berressem

A Nice Beginning: On the Ulysses / Finnegans Wake Interface

Danis Rose & John O'Hanlon 

JJBN: LEONARD-1993

Leonard, Garry. Reading Dubliners Again: A Lacanian Perspective. Syracuse UP, 1993.

CONTENTS

Preface

Acknowledgments

1. Spilling Whiskey on the Corpus

Jacques Lacan and Dubliners

2. The Free Man's Journal

The Making of His[S]tory in "The Sisters"

3. The Detective and the Cowboy

Desire, Gender, and Perversion in "An Encounter" 56

4. The Question and the Quest

The Story of Mangan's Sister

5. Wondering Where All the Dust Comes From

Jouissance in "Eveline"

6. Living for the Other in "After the Race"

7. Men in Love

The Woman as Object of Exchange in "Two Gallants"

8. Ejaculations and Silence

Sex and the Symbolic Order in "The Boarding House"

9. "Why had he married the eyes in the photograph?"

The Gaze in "A Little Cloud"

10. In No Case Shall the Said Bernard Bernard Bodley Be...

Repetition and Being in "Counterparts"

11. Where the Corkscrew Was

The Purpose of Insignificance in Joyce's "Clay"

12. Love in the Third Person in "A Painful Case"

13. "It'll be all right when King Eddie comes"

The Pathetic Phallacy in "Ivy Day in the Committee Room"

14. Mrs. Kearney and the "Moral Umbrella" of Mr. O'Madden Burke

A Mother's Quest for the Phallus

15. "With God's grace I will rectify this and this"

Masculinity Regained in "Grace"

16. "Perhaps she had not told him the whole story"

The Woman as a Symptom of Masculinity in "The Dead"

17. Boxing My Own Corner

Notes

Works Cited 

Index

JJBN: JOYCE-STANISLAUS-1994

Joyce, Stanislaus. The Complete Dublin Diary of Stanislaus Joyce, edited by George Healey, Anna Livia P, 1994.

CONTENTS

Preface

The Complete Dublin Diary

Postscript

JJBN: BLAMIRES-1996

Blamires, Harry. The New Bloomsday Book: A Guide Through Ulysses. Routledge, 1996.

CONTENTS

ABOUT THE BOOK

References

Conversion table

Introductory note

Preface to the third edition

The Bloom and Dedalus family trees

PART I

1 Telemachus

2 Nestor

3 Proteus

PART II

4 Calypso

5 Lotus Eaters

6 Hades

7 Aeolus

8 The Lestrygonians

9 Scylla and Charybdis

10 Wandering Rocks

11 Siren

12 Cyclops

13 Nausicaa

14Cow of the Sun

15 Circe

Part III

16 Eumacus

17 Ithaca

18 Penelope

Index

JJBN: WARNER-1993

Warner, John. Joyce's Grandfathers: Myth and History in Defoe, Smollett, Sterne, and Joyce. U of Georgia P, 1993.

CONTENTS

Preface

Acknowledgments

Abbreviations

I Myth, History, and Mediation

2 Mythic and Historic Time in Defoe

3 Mythic and Historic Language in Smollett

4 Mythic and Historic Plotting in Sterne

5 Time, Language, and Plot in Ulysses

Conclusion

Notes

Bibliography

Index

ABOUT THE BOOK

Deriving its title from Stephen Dedalus's observation in "Ulysses" that the artist is the "father of all his race, the father of his own grandfather", "Joyce's Grandfathers" is a study of literary relationship and the ways in which a truly new work of art can shed new light on the themes and techniques of older ones. John M. Warner first places "Ulysses" within the tradition of the English novel and then reads the works of earlier writers - Defoe, Smollet and Sterne - "through the lens" of Joyce's masterpiece. The result is a significant addition to the study of both 18th- and 20th-century literature. Warner contends that Joyce's experimentation with narrative form was in large part a reaction against the realistic, diachronic mode of fiction that predominated during the 19th century. In Defoe, Smollet, and Sterne, Joyce found not only earlier challenges to that mode but also "a revolutionary nostalgia for myth that paralleled his own response to his rationalistic culture". Yet their works also revealed a clear responsiveness to historical circumstances, creating a tension between the timelessness of myth and the chronology of history.

Unlike the realists, these particular 18th-century novelists "did not try to conceal the tensions between the synchronic and diachronic thrusts of their fiction but rather explored them openly, unafraid of jagged edges and cacophonous effect". It was these explorations that Joyce found especially useful in the writing of "Ulysses". By compelling us to look backward and to see what he saw in his 18th-century forebears, Warner argues, Joyce "recreates" them for us. This study is thus as much an effort to recontextualise the writing of Defoe, Smollet, and Sterne as it is to place "Ulysses" within the tradition of the English novel. The usual mode of the literary historian is to locate the influence of an earlier work on a later one. By deliberately evoking a double perspective on literary history, however, Warner enables us to understand how Joyce both uses and creates a tradition for his novel - how he "fathers his own grandfathers".

JJBN: JACKSON&MCGINLEY-1993

Jackson, John Wyse and Bernard McGinley. James Joyce's Dubliners: An Annotated Edition. Sinclair-Stevenson, 1993.

CONTENTS

Map: North central Dublin

Introduction

Map: South central Dublin

Childhood

THE SISTERS

Irish Homestead version of "The Sisters'

AN ENCOUNTER

ARABY

Young Adulthood

EVELINE

AFTER THE RACE

Two GALLANTS

THE BOARDING HOUSE

Mature Life

A LITTLE CLOUD

COUNTERPARTS

CLAY

A PAINFUL CASE

Public Life

IVY DAY IN THE COMMITTEE ROOM

A MOTHER

GRACE

'The Dead'

THE DEAD

Acknowledgements

ABOUT THE BOOK

This brilliantly annotated and fully illustrated text, with over 300 line drawings and photographs, is the ultimate Joyce volume, a classic for Joyce and Dublin Lovers for years to come.