マッケイブ、コリン『ジェイムズ・ジョイスと言語革命』加藤幹郎訳、筑摩書房、1991年
スタニスラウス・ジョイス『兄の番人―若き日のジェイムズ・ジョイス』宮田恭子訳、みすず書房 1993年
柳瀬尚紀『ジェイムズ・ジョイスの謎を解く』岩波新書、1996年
小田基編、米本義孝注釈『読解「ユリシーズ」』研究社、1996年
鶴岡真弓『ジョイスとケルト世界―アイルランド芸術の系譜』平凡社、1997年
フランク・バッジェン『「ユリシーズ」を書くジョイス』岡野浩史訳、近代文芸社、1998年
Lernout, Geert. The French Joyce. Ann Arbor: U of Michigan P, 1990.
Martin, Augustine, editor. James Joyce: The Artist and the Labyrinth. Ryan Publishing, 1990.
Mikhail, E. H., editor. James Joyce: Interviews and Recollections. Macmillan P, 1990.
Lernout, Geert, editor. Finnegans Wake: Fifty Years. Editions Rodopi B. V., 1990.
Kumar, Udaya. The Joycean Labyrinth: Repetition, Time, and Tradition in Ulysses. Oxford UP, 1991.
Carey, Phyllis and Ed Jewinski, eds. RE: JOYCE’N BECKETT. Fordham UP, 1992.
Costello, Peter. James Joyce: The Years of Growth 1882-1915. London: Kyle Cathie, 1992.
Wales, Katie. The Language of James Joyce. London: Macmillan, 1992.
Cheng, Vincent J. and Timothy Martin, eds. Joyce in Context. Cambridge: Cambridge UP, 1992.
Fairhall, James. James Joyce and the Question of History. Cambridge: Cambridge UP, 1993.
Friedman, Susan Stanford. Joyce: The Return of the Repressed. Ithaca and London: Cornell U P, 1993.
Leonard, Garry. Reading Dubliners Again: A Lacanian Perspective. Syracuse UP, 1993.
Duffy, Enda. The Subaltern Ulysses. U of Minnesota P, 1994.
Gibson, Andrew, ed. European Joyce Studies 3: Reading Joyce’s “Circe.” Amsterdam: Rodopi, 1994.
Benstock, Bernard. Narrative Con/Texts in Dubliners. Macmillan P, 1994.
Norris, David and Cark Flint. Joyce for Beginners. Icon Books, 1994.
Healey, George, editor. The Complete Dublin Diary of Stanislaus Joyce. Anna Livia P, 1994.
Mahaffey, Vicki. Reauthorizing Joyce. Gainesville: University press of Florida, 1995.
Nolan, Emer. James Joyce and Nationalism. London: Routledge. 1995.
Cheng, Vincent J. Joyce, Race, and Empire. Cambridge: Cambridge University Press, 1995.
Senn, Fritz. Inductive Scrutinies: Focus on Joyce. The Johns Hopkins UP, 1995.
Blamires, Harry. The New Bloomsday Book: A Guide Through Ulysses. Routledge, 1996.
Corcoran, Neil. After Yeats and Joyce: Reading Modern Irish Literature. Oxford: Oxford UP, 1997.
Theall, Donald. James Joyce's Techno-Poetics. U of Toronto P, 1997.
Knowlton, Eloise. Joyce, Joyceans, and the Rhetoric of Citation. UP of Florida, 1998.
Leonard, Garry. Advertising and Commodity Culture in Joyce. UP of Florida, 1998.
Rickard, John S. Joyce's Book of Memory: The Mnemotechnic of Ulysses. Duke UP, 1998.
JJBN:EAGLETON&JAMESON&SAID-1990
Eagleton, Terry, Fredric Jameson and Edward W. Said. Nationalism, Colonialism, and Literature. Introduction by Seamus Deane. Minneapolis: U of Minnesota P, 1990.
CONTENTS
INTRODUCTION Seamus Deane
NATIONALISM: IRONY AND COMMITMENT Terry Eagleton
MODERNISM AND IMPERIALISM Fredric Jameson
YEATS AND DECOLONIAZATION Edward W. Said
INDEX
JJBN: LERNOUT-1990
Lernout, Geert. The French Joyce. Ann Arbor: U of Michigan P, 1990.
CONTENTS
Introduction
Chapter 1. Joyce Criticism: The Early Years
Chapter 2. Cixous, Derrida, Lacan
Chapter 3. University Criticism
Chapter 4. Joyce and Tel Quel
Chapter 5. The New Joyce in England and America
Conclusion
Bibliography
Index
ABOUT THE BOOK
The French Joyce, the first book to trace the French critical reception to James Joyce's work, is a major contribution to Joyce scholarship as well as an important historical review of the French intellectual climate from the sixties to present.
Serious French interest in the Irish writer coincided with the rise of poststructuralism, and Lernout pays particular attention to Joycean criticism by Lacan, Derrida, and Cixous, who have provided the basis for psychoanalytical, philosophical, and feminist readings. The French university critics who took Derrida's and Lacan's work as their point of departure are examined, as well as the Tel Quel and Change writers. The author also looks at the effects of French theory on the study of Joyce by American, English, and Irish critics.
The author provides a provocative critique of poststructuralist readings, arguing that such readings are in fact romantic and idealistic, and examines the particularly French climate in which this type of theory could develop and flourish. The French Joyce is essential reading for Joyceans as well as those interested in the historical development of French-born literary theories. It will appeal to students of critical theory and postwar intellectual history.
(https://www.press.umich.edu/13168/french_joyce)
JJBN:KUMAR-1991
Kumar, Udaya. The Joycean Labyrinth: Repetition, Time, and Tradition in Ulysses. Oxford UP, 1991.
CONTENTS
Abbreviations
Note on the Citations of Ulysses
1. Introduction
2. Repetition: Its Modes and Levels
3. The Structure of Ulysses and the Experience of Time
4. Ulysses and the Notion of the Sign
5. Art, Language, and Tradition: Some Remarks on 'Proteus' and Joyce's Aesthetic Theories
6. Conclusion
Bibliography
Index
ABOUT THE BOOK
This powerful and unusual study examines the relations between the textual organization of Ulysses and the notions of time, language, and poetics implicit in the novel. Making use of recent developments in philosophy and liteary theory, Udaya Kumar takes issue with those who, like Richard Ellmann, see Ulysses as a fully coherent text. Instead, he argues that the novel is a complex transitional text involving various degrees of mediation between opposing impulses such as naturalism and schematism, unification and detotalization.
The book begins with an examination of the pervasive use of repetition in Ulysses and shows that this results in a disruption of linear time and creats a 'textual memory'. This argument is further developed in relation to the question of time and the sign, where Ulysses is shown to display a differentiated and heterogeneous temporal experience. Finally, examining Joyce's early aesthetic theories, Udaya Kumar argues that Ulysses implies a radical notion of tradition as the site of difference and of the work of art as the reperformance of elements from tradition. The concluding chapter clarifies this idea in relation to other strands in modernism and postmodernism.
JJBN:RABATE-1991
Rabate, Jean-Michael. James Joyce, Authorized Reader. Baltimore and London: The John Hopkins UP, 1991.
CONTENTS
Abbrebiations and Short Titles
Preface
Introduction
ONE:
A Portrait of the Reader as a Young Dubliners
TWO
Thy Name Is Joy
THREE
The Figures of Incestitude
FOUR
Circe's Stagecraft
FIVE
Spinning Molly's Yarn
SIX
Idiolects, Idiolex
SEVEN
Languages of Eeath
EIGHT
A Portrait of the Author as a Bogeyman
Conclusion
Notes
ABOUT THE BOOK
Linking modernist literature with more recent developments in literary theory, Jean-Micahel Rabate's writings on James Joyce have atrracted widespread critical acclaim. Praised by Derrida and
others, Rabate's work combines psychoanalytical notions (adopted from Lacan) with more traditional philosophical approaches (Joyce seen in connection with Hegel and Vico, for instance).
Examining Joyce's texts from Dubliners to Finnegans Wake, Rabate traces a number of interconnected issues and relates them to Joyce's own reading and manuscripts sources as well as to recent
theoretical discussions. Among these issues are the function of the reader; the role of "perversity" (as opposed to "perversion"); the operation of what Rabate calls "the unconscious of the
text"; the uncertainties of authority; the role of family relations in Jouce; and the connections between the idiosyncracies of Joyce's language and questions of idiolect, idiom, and
ideology.
"Rabate writes with grace and wit, and his intimate accuaintance with French theoretical discussions informs his thinking at every point without ever becoiming overberaring; it is always Joyce
and Joyce's words that hold the center of attention. He also writes with a grasp of Joyce scholorship and extends it un several directions. Joyce emerges as a thoroughly European
writer, participating in a culture that goes well beyond the bounds of the English language." Derek Attridge, Rutgers University
JJBN:MACCABE-1991
マッケイブ、コリン『ジェイムズ・ジョイスと言語革命』加藤幹郎訳、筑摩書房、1991年.
目次
第一章 理論的予備考察
第二章 メタ言語の終焉 ジョージ・エリオットから『ダブリン市民』へ
第三章 物語の終わり 『スティーヴン・ヒーロー』と『若き芸術家の肖像』
第四章 要素の根源的分離 『ユリシーズ』における読者の距離化
第五章 言葉の都市、夢の街路 『ユリシーズ』の航海
第六章 『フィネガンズ・ウェイク』の政治的読解
第七章 ジョイスの政治学
原注
書誌
著者あとがき
ジョイス・映画・訳者付記
索引
ABOUT THE BOOKS
言説、セクシュアリティ、政治
真理とは、闘争である。20世紀最大の文学的天才が生み出した〈言語=欲望=力〉のテクストの謎に肉迫する、批評の戦い。知的興奮にあふれる、衝撃的なジョイス論の登場!
ジェイムズ・ジョイス――20世紀文学でもっとも偉大な変革者。だが、彼のもたらした〈言語革命〉の射程は究められたと言えるだろうか? 優れたジョイス研究者であると同時に、先鋭的な映画理論誌『スクリーン』の中心メンバーのひとりとして、シャープなゴダール論の書き手でもあるコリン・マッケイブは、斬新な視野から、今日ジョイスを読むことの可能性を追求する。構造主義/ポスト構造主義の成果を踏まえ、当時のアイルランドの政治状況を見据えつつ、自己同一性に還元されぬ〈複数の主体〉への果敢なアプローチを試み続けた“政治的ジョイス像”を鮮やかに浮き上がらせる。――いま、改めてジョイスに向かい合うべき時が来ている。
JJBN:COSTELLO-1992
Costello, Peter. James Joyce: The Years of Growth 1882-1915. London: Kyle Cathie, 1992.
CONTENTS
Illustrations (86-87, 278-279)
Preface
Prologue: 'On the Last Day . . .'
PART ONE
1 The Dead
PART TWO
2 'Baby Tuckoo'
3 Clongowes Wood
4 Bray adn Eileen
5 The Shadow of Parnell
6 The City
7 Belvedere
8 Sin and Savation
PART THREE
9 The Summer of 1898
PART FOUR
10 On St Stephen'S Green
11 The Drama of Life
PART FIVE
12 Interlude: 'Emma Clery'
PART SIX
13 Faubourg St Patrice
14 A Bowl of Green Bile
15 Stephen Dedalus
PART SEVEN
16 'Nora'
PART EIGHT
17 Dubliners on the Adriatic
18 Rome: An Infernal Machine
19 A Portrait of the Artsit
20 The Haunted Inkbottle
21 Exiles
PART NINE
22 The Living and the Dead
Appendeix I: Joyce's Holoscope
Appendix II:
Family Trees
Pedigree of Stephen
James Joyce
The Flynn Family
The Murray Family
The O'Connell Family
James Joyce's Immediate Family
James Joyce's Genetic Make-Up
Bibliography
Notes on Sources
Acknowledgements
Index
JJBN: NORRIS-1992
Norris, Margot. Joyce’s Web: The Social Unraveling of Modernism. Austin: U Texas P, 1992.
CONTENTS
Acknowledgments
Abbreviations
PART I. THE ARTIST
Chapter 1. Texual Raveling: A Critical and Theoretical Introduction
1. Joycean Canonization and Modernism
2. Joyce, Feminism, and the Ideologically Self-Critical Text
3. Intertexted Weavings
Chapter 2. Patronage and Censorship: The Production of Art in the Social Real
1. Patronage as Communist “Grace”
2. Ibsen, Censorship, and Art’s Social Function in Stephen Hero
Chapter 3. Stephen Dedalus, Oscar Wilde, and the Art of Lying
Chapter 4. “Shem the Penman”: Joyce’s Tenemental Text
1. Cranly, Materialism, and Art
2. Shem as Bête Noire of Modernism
PART II. THE WOMEN
Chapter 5. “Who killed Julia Morkan?”: The Gender Politics of Art in “The Dead”
1. Stifled Back Answers
2. The Woman as Objet d’Art
3. Woman as the Other Woman
4. Songs, Romance, and the Social Real
5. The Silencing of Female Art
Chapter 6. Narration under a Blindfold: Reading the “Patch” of “Clay”
Chapter 7. The Work Song of the Washerwomen in “Anna Livia Plurabelle”
1. Samuel Butler and the Desublimation of Myth
2. The Social Politics of Washerwomen in History
3. Washerwomen’s Working Talk
4. Ablution and Absolution
Chapter 8. Modernism, Myth, and Desire in “Nausicaa"
PART III. THE CHILDREN
Chapter 9. The Politics of Childhood in “The Mime of Mick, Nick, and the Maggies”
1. Tea Parties
2. Exile
3. Home
Notes
Works Consulted
Index
JJBN: CAREY AND JEWINSKI-1992
Carey, Phyllis and Ed Jewinski, editors. RE: JOYCE’N BECKETT. New York: Fordham UP, 1992.
CONTENTS
Acknowledgement
Abbreviations
Introduction
1. Richard Ellmann’s James Joyce and Deirdre Bair’s Samuel Beckett: A Biography: The Triumphs and Trials of Literary Biography
MELVIN FRIEDMAN
2. Joyce, Beckett and the Short Story in Oreland
JOHN FLETCHER
3. Beckett, Joyce, and Irish Writing: The Example of Beckett’s “Dubliners” Story
JOHN HARRINGTON
4. “For This Relief Much Thanks”: Leopold Bloom and Beckett’s Use of Allusion.
DAVID COHEN
5. Beckett Re-Joycing: Words and Music.
JAMES ACHESON
6. “The More Joyce Knew the More He Could and “More Than I could”: Theology and Fictional Technique in Joyce and Beckett
ALAN S. LOXTERMAN
7. Textually Uninhibited: The Playfulness of Joyce and Beckett.
MICHAEL PATRICK GILLESPIE
8. Stephen Dadalus, Balacqua Shuah, and Dante’s Pieta
PHYLLIS CAREY
9. Krapping Out: Images of Flow and Elimination as Creation in Joyce and Beckett
SUSAN BRIENZA
10. Authorship, Authority, and Self-Reference IN Joyce and Beckett
STEVEN CONNOR
11. James Joyce and Samuel Beckett: From Epiphany to Anti-Epiphany
ED JEWINSKI
12. Beckett et Joyce et Beckett-esque: A One-Act Play
DENIS REGAN
13. Joyce and Beckett: A preliminary Checklist of Publications
JOHN P. HARRINGTON
About the Contributors
Index
ABOUT THE BOOKS
This ground-breaking collection of essays combines the efforts of twelve contributors to explore previously uncharted paths in the literary relationship between James Joyce and Samuel Beckett, two of the foremost writers of the twentieth century. Eleven essays, written by scholars from Canada, England, the United States, and New Zealand, throw new light on the biographies, texts, techniques, and artistic consciousness of Joyce and Beckett as well as on fundamental questions of literary authority and influence. In addition, the volume contains the first working bibliography devoted exclusively to the Joyce-Beckett relationship. The collection culminates with an original one-act play that celebrates both writers in, with, and through the language that they each explored so profoundly.
The eleven essays provide a number of avenues for discussing the literary relationship between Joyce and Beckett: Melvin Friedman assesses the strengths and weaknesses of the Joyce and Beckett biographies by Richard Ellmann and Deidra Bair. John Fletcher and John P. Harrington provide complementary studies of two of Beckett’s early short stories in relation to their possible “counterparts” in Dubliners. James Acheson and David Cohen both draw on Ulysses and various works by Beckett to focus attention on links and divergencies between the two writers in their uses of allusions. Analyzing fictional techniques, Michael Patrick Gillespie foregrounds the impulse for gaming that Joyce and Beckett both employ as a narrative strategy. Alan Loxterman explores the techniques both writers use to raise Phyllis Carey provide complementary reading of artistic consciousness, Brienza drawing attention to bodily fluids and elimination as images of creation, and Carey focusing on the divergent debts of both writers to Dante. Finally, Steven Connor and Ed Jewinski attack the problems od “authority” and “influence,” respectively, in the process illuminating differences in modernist and postmodernist understandings of theses concepts.
A bibliography of well over one hundred entries, compiled by John P. Harrington, lists the most substantive discussions of the Joyce Beckett relationship Denis Regan’s one-act play, Beckett relationship. Denis Regan’s one act play, Becket et Joyce et Beckettesque, creates a medley od Beckett and Joyce echoes through imaginative dialogues in the afterlife mind of Samuel Beckett. Although the volume was in progress when Samuel Beckett died in December 1989, it now serves as a memorial and a tribute to both Samuel Beckett and James Joyce.
PHYLLIS CAREY is Associate Professor of English at Mount Mary College, Milwaukee, Wisconsin. She has published on Joyce and Beckett in the James Joyce Quarterly, has delivered papers on Joyce-Beckett panels in Frankfurt and Milwaukee, and has published several essays on Beckett. She is currently co-editing a collection of essays on Seamus Heaney and working on a book-length study of Beckett and Vaclav Havel.
ED Jewenski is Associate Professor of English at Wilfrid Laurier University, Waterloo, Ontario. He is the co-editor of Magic Realism in Canadian Literature and has published articles on Beckett, Lawrence, and several Canadian writers, including Leacock, Livesay, Birney, and Pratt. He has served on the editorial board of The English Quarterly, Jewish Dialogue, and The New Quarterly.
JJBN: WALES-1992
Wales, Katie. The Language of James Joyce. London: Macmillan, 1992.
CONTENTS
Preface
Acknowledgement and Editions Used
Abbreviations and Symbols
1 Joyce and Irish English
1.1 Introduction: The History of English in Ireland
1.2 Joyce and Hiberno-English
1.3 Joyce and Anglo-Irish Literature
1.4 Conclusion: The Joycean Paradox
2 Joyce and Rhetoric: Dubliners and A Portrait of tech Artist as a Young Man
2.1 Introduction: Joyce and Rhetoric
2.2 Repetition in Dubliners
2.3 Emotive Rhetoric in A Portrait of the Artist as a Young Man
2.4 Conclusion: A Portrait of the Artist as a Rhetorician
3 Joyce's Voices in Ulysses
3.1 The Voices of Ulysses
3.2 'The Steady Monologue of the Interiors' (FW: 119)
3.3 The 'Inner Voices' of Stephen Daedalus and Leopolod Bloom
3.4 The Female Voice: Molly's Monologue
3.5 Conclusion: The Dialogue of Voices in Ulysses
4 The Play of Language in Ulysses
4.1 Introduction: Joyce and the Lidic(rous)
4.2 The Play of Sound and Symbol
4.3 Dislocations of Syntax
4.4 Lexical Creativity
4.5 Licenses of Meaning
4.6 Comic Word-Play
4.7 The Art of Parody
4.8 Conclusion: A Portrait of the Artist as a Joker
5 The 'ideal Reader' of Finnegans Wake
5.1 Introduction: To Read, or Not to Read . . .
5.2 The Reader's Progress to Finnegans Wake
5.3 Putting the Language to Sleep
5.4 Here Comes Everything: Endlessly Repeated
5.5 'The Key to. Given!' (FW: 628)
5.6 Conclusion: The 'Ideal Reader of Finnegans Wake Appendix to Chapter 5
Notes
Further Reading
Index
ABOUT THE BOOK
The Language of James Joyce offers the First comprehensive survey of Joyce's language since Anthony Burgess's Joysprick in 1973, and offers an up-to-date approach in the light of recent work in stylistics, feminist theory and Bkhtinian theory of the novel. It also attempts to place Joyce's work very clearly in the Anglo-Irish tradition, and offers a detailed chapter therefore on Joyce's use of Hiberno-English. The book is written specifically for undergraduate student s and general readers interested in Joyce who may lack a linguistic background. None the less the book aims to show that no student Joyce can afford to ignore such an important dimension of his writing.
JJBN: CHENG&MARTIN-1992
Cheng, Vincent J. and Timothy Martin, editors. Joyce in Context. Cambridge: Cambridge UP, 1992.
CONTENTS
List of illustrations
Notes on contributors
Acknowledgments
Abbreviations
Editors' introduction
1 The 1989 conference: a retrospect
Timothy Martin
PART I THE MODERNIST CONTEXT
2 Is there a case against Ulysses?
Denis Donoghue
3 Woolf and Joyce: reading and re/vision
Johanna X. K. Garvy
4 Joyce and Ford Madox Ford
Vincent J. Cheng
5 Joyce and Freud: discontent and its civilizations
Brian W. Shaffer
PART II THE CONTEXT OF THE OTHER: JOYCE ON THE MARGINS
6 Cheating on the father: Joyce and gender justice in Ulysses
Colleen R. Lamos
7 Demythologizing nationalism: Joyce's dialogized Grail myth
Theresa O'Connor
8 Joyce and Michelet: why watch Molly menstruate?
Bonnie Kime Scott
9 Re-visioning Joyce’s masculine signature
Suzette Henke
PART III CONTEXTS FOR JOYCE
10 "Scrupulous meanness" reconsidered: Dubliners as stylistic parody
Roy Gottfried
11 Joyce and Lacan: the twin narratives of History and His[S]tory in the "Nestor" chapter of Ulysses
Garry M . Leonard
12 Joyce and Homer: return, disguise, and recognition in "Ithaca"
Constance V. Tagopoulos
13 James Joyce and cartoons
Dan Schiff
PART IV RE-READING JOYCE: JOYCE IN HIS OWN CONTEXT
14 Refining himself out of existence: the evolution of Joyce's aesthetic theory and the drafts of A Portrait
Ian Crump
15 Entering the lists: sampling early catalogues
Fritz Senn
16 Cataloguing in Finnegans Wake: counting counties
Bernard Benstock
17 Translating Ulysses, East and West
Di Jin
Index
JJBN: FAIRHALL-1993
Fairhall, James. James Joyce and the Question of History. Cambridge: Cambridge UP, 1993.
CONTENTS
List of illustrations
Preface
List of abbreviations
Introduction: What is History?
1 The murders in the park
2 Literary politics
3 The paralyzed city
4 Growing into history
5 Ulysses and the Great War
6 Reforming the wor(l)d
7 Afterword: language and history
Notes
Bibliography
Index
ABOUT THE BOOK
This ground-breaking book examines the work of James Joyce as a response to Irish and European history. Fairhall situates Joyce in his historical moment and explores Joyce's attitudes towards colonialism, nationalism, World War I, gender, and class. Although the book draws on a wide range of critical theories, it is clearly written and is accessible to any reader interested in the relation between Joyce's works and history.
'An exemplary analysis ... No reader of Joyce could fail to benefit from this discussion.'
Irish Studies Review
'An excellent book. To the vexed question of the political dimensions of Joyce's writings it brings an awareness of the complexity of the relation between literary texts and historical contexts, while at the same time providing historical material that will enrich readings of his works.'
Derek Attridge
JJBN: FRIEDMAN-1993
Friedman, Susan Stanford, ed. Joyce: The Return of the Repressed. Ithaca and London: Cornell UP, 1993.
CONTENTS
Acknowledgments
List of Abbreviations for Texts by James Joyce
Introduction
Susan Stanford Friedman
PART I Making the Artist of Modernity: Stephen Hero, Portrait, Ulysses
1 (Self)Censorship and the Making of Joyce’s Modernism
Susan Stanford Friedman
2 Pharmaconomy: Stephen and the Daedalids
Alberto Moreiras
PART II Repression and the Return of Cultural History: Dubliners and Portrait
3 Uncanny Returns in “The Dead”: Ibsenian Intertexts and the Estranged Infant
Robert Spoo
4 A Portrait of the Romantic Poet as a Young Modernist: Literary History as Textual Unconscious
Jay Clayton
5 Simon’s Irish Rose: Famine Songs, Blackfaced Minstrels, and Woman’s Repression in A Portrait
Richard Pearce
PART III Narratives of Gender, Race, and Sex: Ulysses
6 Races and Chains: The Sexuo-Racial Matrix in Ulysses
Laura Doyle
7 Staging Sexuality: Repression, Representation, and “Interior” States in Ulysses
Joseph A. Boone
PART IV Incest, Narcissism, and the Scene of Writing: Ulysses and Finnegans Wake
8 The Preservation of Tenderness: A Confusion of Tongues in Ulysses and Finengans Wake
Marilyn L. Brownstein
9 Texual Mater: Writing the Mother in Joyce
Ellen Carol Jones
10 Mothers of Invention/Doaters of Inversion: Narcissan Scenes in Finnegans Wake
Christine Froula
Notes on Contributors
Index
ABOUT THE BOOK
“A vital collection that skillfully combines analysis of the art of Joyce and the ideas of Freud with the exciting new insights of cultural criticism. The quality of the essay is extraordinarily high, and this synthesis of Freud and social issues suits the latest trends in a powerful way.”
―Sheldon Brivic, Temple University
Did James Joyce, that icon of modernity, spearhead the dismantling of the Cartesian subject? Or was he a supreme example of a modern man forever divided and never fully known to himself?
This volume reads the dialogue of contradictory cultural voices in Joyce's works – revolutionary and reactionary, critical and subject to critique, marginal and central. It includes ten essays – all but two of them published here for the first time – that identify repressed elements in Joyce's writings and examine how psychic and cultural repressions persistently surface in his texts. Individual chapters explore interconnections among the psychic and the political, the textual and the historical, theerotic and the linguistic in Stephen Hero, Dubliners, A Portrait of the Artist as a Young Man, Ulysses, and FinnegansWake. Adapting divergent methodologies, the essays employ interpretive strategies drawn from psychoanalytic criticism, feminist criticism, new historicism, deconstruction, narrative theory, Marxism, and cultural studies.
The first collection of psychoanalytically oriented essays devoted entirely to Joyce, this book will be invaluable for students and scholars of literary theory, psychoanalytic and feminist criticism, and cultural studies, and others with an interest in literary modernism and Irish literature.
CONTRIBUTORS: Joseph A. Bone. Marylyn L. Brownstein. Jay Clayton. Laura Doyle. Susan Stanford Friedman. Christine Froula. Ellen Carol Jones. Alberto Moreiras. Richard Pearce. Robert Spoo.
SUSAN STANFORD FREIDMAN is Virginia Woolf Professor of English and Women’s Studies at the University of Wisconsin, Madison. She is also the author of Psyche Reborn: The Emergence of H.D. and Penelope’s Web: Gender, Modernity, H.D.’s Fiction and the coeditor, with Rachel Blau DuPlessis, of Signets: Reading H.D.
JJBN: SEGALL-1993
Segall, Jeffery. Joyce in America: Cultural Politics and the Trials of Ulysses. Berkeley: U of California P, 1993.
CONTENTS
Introduction: The Polemics of Our Portraits.
1. "James Joyce or Socialist Realism?" Marxist Aesthetics and the Problem of Ulysses
2. "Kulturbolschewismus Is Here": Joyce and American Cultural Conservatism
3. Between Marxism and Modernism: Joyce and the Dissident Left
4. "On the Side of the Angels": Joyce and the New Critics
5. The High Priest of Their Imagination: Joyce and His Catholic Critics
Conclusion: The Politics of Parallax, or the Transubstantiation of Joyce's Political Soul
Notes
Works Cited
Index
ABOUT THE BOOK
"We must understand the controversy that enveloped Ulysses during the 1920s and 1930s as a demonstration of both its real and its symbolic powers of provocation. Readers praised or denounced it for what it was (as much as they could construe this) as well as for what it represented (often determined without the benefit—or burden—of having read it). It was difficult to separate Ulysses from the aura of notoriety surrounding it, a task made more difficult by the novel's obscurity (particularly in the years before the publication of Stuart Gilbert's James Joyce's "Ulysses" in 1930) and by its unavailability. American readers in particular often viewed Ulysses as symptomatic of a host of social, cultural, and political changes they deplored. Judgments for or against Ulysses frequently reflected a critic's own hope or anxiety over an age in which, as Marx had prophesied, all that was solid seemed to be melting into air. Ulysses became a cultural nexus over which critics with opposed ideological perspectives did battle."
In America, allegations that Ulysses was both obscene and blasphemous heightened interest in it and created controversy even before it was permitted to be published in 1933. Moralists and ideologues from various quarters found in Ulysses an amorphous but still attractive target for their suspicions and outrage. Three issues of the Little Review , which serialized Ulysses from 1918 to 1920, were seized and banned by the U.S. Post Office, and in September, 1920, the New York Society for the Prevention of Vice lodged an official complaint against its editors, Margaret Anderson and Jane Heap. In February of 1921, Heap and Anderson were convicted of publishing obscenity, fined fifty dollars, and prohibited from publishing additional chapters from Ulysses . It was not until Judge John M. Woolsey's historic decision lifting the ban on Ulysses on December 6, 1933 (upheld by the District Court of Appeals on August 8, 1934) that Ulysses could be legally published and sold in America "(Introduction, ii-iii)
JJBN: STANISLAUS-JOYCE-1993
スタニスロース・ジョイス『兄の番人―若き日のジェイムズ・ジョイス』宮田恭子訳、みすず書房 1993年
⇒原著 Joyce, Stanislaus. My Borther's Keeper. The Viking P, 1969.
CONTENTS
序文 T.S. エリオット
序論 リチャード・エルマン
第一章 土壌
第二章 発芽
第三章 早春
第四章 成熟
第五章 開花
原注
訳者解説
索引
ABOUT THE BOOK
「本書は、有名な作家と、その存在を世に知られることのなかった弟の関係を見事に描いている。……私はこの本を二回読んだ……兄の回想というテーマにとりつかれたスタニスロースは、肌に刺さった刺に苛立ちながらも、彼自身作家となり、兄の作品と並んで書架に永遠の座を占める本の著者となった」(T.S. エリオット)
スタニはつねに兄の間近にいて行動を共にし、ジェイムズの言動を注視した、余人には不可能な弟の視点から、彼は兄の宗教観の推移やアル中の父親への愛情、家族関係、読書・創作歴、イェイツ等との交友関係、さらに性生活までをも詳細に語り、独自の見解を述べている。とりわけ『ダブリンの人びと』や『若き芸術家の肖像』の成立背景を明らかにしている本書は、作家の幼少期から大陸に移り住むまでのダブリン時代を扱ったユニークな回想録であると同時に、この天才の文学理解に欠かせぬ基本的文献となっている。T.S.エリオットの序文とリチャード・エルマンの序論を一読すれば、本書の価値は一目瞭然である。
JJBN:KAWAGUCHI-1994
川口喬一『「ユリシーズ」演義』 研究社出版、1994.
目次
まえがき
第一章 マーテロ塔にて
「ワレ神ノ祭壇ニ赴カン」「二つの強く鋭いホイッスルが……」先行詞のない代名詞 情報伝達のギャップ ディエゲーシスとミメーシス 岸辺に何人の人物がいるか? 独白の中の引用文
第二章 デイジー校長の学校で
「ムネーモシュネーの娘たちが……」 授業風景 スティーヴンの月給
第三章 サンディマウントの浜辺にて
産婆のカバンと砂まみれの雨傘 プラムをかじる老婆たち 変容する人物たち 試作するスティーヴン 牧神の時 「三本マストの帆船が……」
第四章 ブルーム家の朝
ミスター・ブルームの朝の装束 ブルーム家の朝食 行き交う手紙たち 娘ミリーからの手紙 後架上の芸術家ブルーム
第五章 街を行くヘンリー・フラワー
郵便局のほうへ マーサ・クリフォードからの手紙 薬局へ行くレオポルド・ブルーム アスコット・ゴールド・カップ競馬
第六章 グラスネヴィン墓地に向けて
葬儀車は行く 「彼は午後にやって来る」 父の死 艀に乗った男は誰か? 視界から消えるブルーム 一三番目の男は誰か? ブルームは独り
第七章 新聞社にて
新聞の見出しのもとに 職業人ブルーム 電話をするブルーム ブルーム退場 起源なき反復――デイジー校長の投稿論文 レネハンの競馬情報 ムーニー酒場へ ブルームとスティーヴン――語りの多層化 見出し――テクストを切り裂くもう一つの声
第八章 昼飯どきのブルーム
チラシとカモメ 移動するメッセージ 「あのころは幸せだった」 ホウス岬の羊歯の陰で ブルームの終末意識 迫りくるボイランの時間 ブルームの懐中時計――もう一つの装具 「クロース・エンカウンター」――ボイランがいる
第九章 図書館にて
伝記的解釈 シェイクスピア論 アントラクト(幕間狂言) ジャンルの越境 戯れる語り手 すれ違うスティーヴンとブルーム
第一〇章 ダブリンの人びと
一九の基本的情景 コンミー神父――持続する物語 同時性と異所性 一組の男女 モリーとボイラン 立ち読みするミスター・ブルーム 排除としての意識の流れ ダブリン城の馬車と救急車――因果律と偶発性 アイルランド総監のお通りだ
第一一章 オーモンド・ホテルにて
序曲あるいはオーケストラ・チューニング 二つのテクストの並列 盗用する語り手 合流するテクストたち リリリン・シャラリン――移動するボイラン 注文する人/給仕する人 「メット・ヒム・パイク・ホージズ」 手紙を書くブルーム 遠ざかる音/近づく音 トン・トン・トン――ピアノ調律師が戻って来る ルル・プルル――退場するブルーム
第一二章 キアナンの酒場にて
一人称の語り――語るのは誰か 一つ目巨人の洞窟にて またしてもブルーム夫人 「国家とは何だと思いますか?」 噂の中のブルーム――ユダヤ性 パロディ――昇天するエリヤ・ブルーム ジョイスの文体練習――三三のパロディ集 パロディの動機 アンチ・ナレーションに向けて はじめにパロディありき
第一三章 ふたたびサンディマウントの浜辺にて
初夏の夕暮れ ガーティ・マクダウェル 教会と浜辺――並列する描写 蹴られたボール おお罪人よ!――テクストの交接 懐中時計と花火 現象学者ブルームの考察 モリーとマルヴィーとボイランとブルーム ガーティは誰か 浜辺の謎の男について ディエゲーシスの残滓 夕刊を買うディグナム少年 砂に書かれたメッセージ
第一四章 産院にて
産院での出来事 文体の歴史――言語の不透明化 ブルームと六人の仲間たち バニヤンの説話物語 マリガンとバノンの登場 スターン的「ドゥーブル・アンタンドル」 ゴシック・ロマンス――ヘインズの亡霊 ルビー色の三角印 ブルームとスティーヴンの出会い 最後の御言葉――バークの店へ!
第一五章 夜の街にて
プロローグ――幽鬼の街へ ブルーム登場 地獄の門に向けて――裁かれるブルーム 娼家の戸口にて――ジャガイモを失うブルーム 新しき女性的男性と偽救世主 ブルームとスティーヴン――幻想の並列 偽雨合羽の男――ボイラン? 娼家の女将ベラ・コーエン 娼家での支払い 「どこかで手を怪我したらしい」 ブルームの夢/スティーヴンの夢 死の舞踏 黒ミサ――「ダブリン燃える」
第一六章 御者溜まりにて
既製品としての言語 確認される情報――再登場する人物 「名前がなんだ」――船乗りマーフィーの法螺話 プリマドンナ――色あせた一枚の写真 「アイルランドが大切なわけは……」 新聞を読むブルーム 家路をたどるブルーム父子(?)
第一七章 ふたたびブルーム家にて
教理問答 ブルーム家に向けて 鍵を持たぬ二人 食器戸棚の中身 引きちぎられた馬券 語りの無償性 ストゥーム/ブリーヴン 滞在の勧め 裏庭――荒野への脱出 居間のブルーム 収支決算書 引き出しの中身 エピローグ
第一八章 女/性のファンタジー
「明日の朝食はベッドで」 最後の交渉 ボイランとの情事 ジブラルタルの思い出 誤用作者モリー 歌うモリー ブルームの恋文 「倒錯者」ブルーム スティーヴンについて ロードデンドロンの
茂みの中で
あとがき
索引(主要人物・主要項目)
帯より
ジョイスの傑作『ユリシーズ』全18章の言葉と物語を読む
出版後70年、つねに話題作であり続けた『ユリシーズ』。しかしわれわれはこの世紀の問題作について、その物語性、そのテクスト性について、どれだけのことを知っているだろうか。著者は長年の『ユリシーズ』との付き合いに基づいて、華麗に変容するジョイスの言葉たちがつぎつぎに豊かな物語を紡いでいくありさまを、その基本から語る。
著者の「あとがき」から
もちろんこの作品(『ユリシーズ』)についてはこちたき議論が世に溢れている。優れた研究所も少なくない。しかし、これがいかに面白い、物語性とテクスト性に溢れ、習慣性の毒をいかに多量に含むものであるかを、きちんと基本から語った本はない。作品のあちこちを拾い読みするだけで、生かじりの最新の文学理論をつきあわせ、『ユリシーズ』は「アンリーダブル」であるなどとまことしやかな説を吹聴するのではなく、まず物語の面白さ、そこに使われている言葉の豊かさを語ること、これが本書の狙いであった。
JJBN:DUFFY-1994
Duffy, Enda. The Subaltern Ulysses. Minneapolis: U of Minnesota P, 1994.
CONTENTS
Acknowledgments
Notes on the Text
Introduction: Postcolonialism and Modernism: The Case of Ulysses
Notes
Index
ABOUT THE BOOK
In the years between 1914 and 1921, as Joyce was composing Ulysses, Ireland became the first colony of the British Empire to gain its independence in this century after a violent anticolonial war. Duffy juxtaposes Ulysses against documents and photographs from the archives of both empire and insurgency, as well as against recent postcolonial literary texts, in order to analyze the political unconscious of subversive strategies, including twists on class and gender, that render patriarchal colonialist culture unfamiliar.
Ulysses, Duffy argues, is actually a guerrilla text, and he demonstrates how Joyce's novel pinpoints colonial regimes of surveillance, mocks imperial stereotypes of the "native," exposes nationalism and other chauvinisitic ideologies of "imagined community" as throwbacks to the colonial ethos, and proposes versions of a postcolonial subject. A significant intervention in the massive "Joyce industry" founded on the rhetoric and aesthetics of high modernism, Duffy's insights show us both Ulysses and the origins of postcolonial textuality in a startling new way.
Enda Duffy is assistant professor of English at the University of California, Santa Barbara.
NOTES
90年代に多く出版されたポストコロニアル批評のひとつである本書は、『ユリシーズ』が執筆されていたまさにその時にアイルランドで頻発していた武装蜂起とテクストの関係を明らかにする。『ユリシーズ』は1904年のある一日を描いているが、その10年後~15年後にジョイスによって遡及的に書かれた。1904年時点では1916年のイースター蜂起に代表される激しい武装蜂起は起きていないが、それらの出来事はうっすらと影のようにテクストをつきまっており、その影響を無視することはできないとダフィは主張する。各章の冒頭で内戦に関わる史料などを掲載し、その強烈なイメージに引きつけるようにして議論を展開していくのはダフィの書き方の大きな特徴であるが、そこにジョイスを政治の土台へと引き入れようとする気概が感じられる。批評用語が解説もなく使われている点、難解ではあるが、『ユリシーズ』執筆時の現実世界のダブリンとジョイスのフィクションのダブリンを並置する視点はジョイスに政治を読み込む際には欠かせないものだろう。(H)
JJBN: SCHWARZ-1994
Schwarz, Daniel R., ed. James Joyce The Dead: Complete, Authoritative Text with Biographical and Historical Contexts, Critical History, and Essays from Five Contemporary Critical Perspectives. Boston: Bedford / St. Martin’s, 1994 .
CONTENTS
About the Series
About This Volume
PART ONE “The Dead”: The Complete Text
Introduction: Biographical and Historical Contexts
The Complete Text
PART TWO “The Dead”: A Case Study in Contemporary Criticism
A Critical History of “The Dead”
Psychoanalytic Criticism and “The Dead”
What Is Psychoanalytic Criticism?
Psychoanalytic Criticism: A Selected Bibliography
A Psychoanalytic Perspective:
DANIEL R. SCHWARZ, Gabriel Conroy’s Psyche: Character as Concept in Joyce’s “The Dead”
Reader-Response Criticism and “The Dead”
What Is Reader-Response Criticism?
A Reader-Response Criticism: A Selected Bibliography
A Reader-Response Perspective:
PETER J. RABINOWITZ, “A Symbol of Something”: Interpretive Vertigo in “The Dead”
The New Historicism and “The Dead”
What Is the New Historicism?
The New Historicism: A Selected Bibliography
A New Historicist Perspective:
MICHAEL LEVENSON, Living History in “The Dead”
Feminist Criticism and “The Dead”
What Is Feminist Criticism?
Feminist Criticism: A Selected Bibliography
A Feminist Perspective:
MARGOT NORRIS, Not the Girl She Was at All: Women in “The Dead”
Deconstruction and “The Dead”
What Is Deconstruction?
Deconstruction: A Selected Bibliography
A Deconstructionist Perspective:
JOHN PAUL RIQUELME, For Whom the Snow Taps: Style and Repetition in “The Dead”
Glossary of Critical and Theoretical Terms
About the Contributors
ABOUT THE BOOK
About this volume
This edition of Joyce’s classic short story from Dubliners presents the 1969 Viking critical edition, prepared by Robert Scholes, along with five critical essays – newly commissioned or
revised for a student audience – that read The Dead from five contemporary critical perspectives:
Psychoanalytic Criticism by Daniel R. Schwarz
Reader-Response Criticism by Peter J. Rabinowitz
The New Historicism by Michael Levenson
Feminist Criticism by Margot Norris
Deconstruction by Jean Paul Riquelme
Each critical essay is accompanied by a succinct introduction to the history, principles, and practice of the critical perspective, and by a bibliography that promotes further exploration of that approach.
In addition, the text and essays are complemented by an introduction providing biographical and historical contexts to Joyce and The Dead, a survey of critical responses to the novel
since its initial publication, and a glossary of critical and theoretical terms.
JJBN: GIBSON-1994
Gibson, Andrew, ed. European Joyce Studies 3: Reading Joyce’s “Circe.” Amsterdam: Rodopi, 1994.
CONTENTS
Bibliographical Note
Introduction
Andrew Gibson
Ulysses 15 and the Irish Literary Theatre
L.H. Platt
“Circe” as Harking Back in Provective Arrangement
Fritz Senn
‘Jigajiga…Yummyyum…Pfuiiiiiii!...Bbbbblllllblblblblobschb!’ “Circe’s” Ventriloquy
Steven Connor
‘Toft’s Cumbersome Whirligig’: Hallucinations, Theatricality and Mnemotechnic in V.A.19 and the First Edition Text of “Circe”
R.G. Hampson
‘Strangers in my House, Bad Manners to Them!’: England in “Circe”
Andrew Gibson
‘Everything’ in "Circe"
Richard Brown
‘Bloom Passes Through Several Walls’: The Stage Directions in “Circe”
Katie Wales
Appendix: The Deliverer and Ulysses 15
L.H. Platt
JJBN: THORNTON-1994
Thornton, Weldon. The Antimodernism of Joyce’s Portrait of the Artist as a Young Man. Syracuse : Syracuse UP, 1994.
CONTENTS
Preface
Acknowledgments
Abbreviations
1. Introduction
PART ONE Contexts
2. Literary Modernism
3. Joyce’s Assumptions and Aims
4. The Antimodernist Implications of the Bildungsroman
PART TWO A Portrait of the Artist
5. The Structures
6. The Verbal Simulation of Stephen’s Psychic Milieu
7. Motif/Complex/Allusion
Notes
Bibliography
Index
JJBN: NOLAN-1995
Nolan, Emer. James Joyce and Nationalism. London: Routledge. 1995.
CONTENTS
List of Abbreviations
Preface
INTRODUCTION: MODERNISM AND NATIONALISM
1 JOYCE AND THE IRISH LITERARY REVIVAL
Preface: Joyce and Yeats
Nationality and Literature: The Case of “The Dead”
Portrait of an Aesthete
‘The Battle of Two Civilizations’: Joyce and Decolonization
2 ULYSSES, NARRATIVE AND HISTORY
Preface: Stories and Styles
Siren-calls
The Nightmare of History
The Living Dead
3 ‘TALKING ABOUT INJUSTICE’: Parody, Satire and Invective in Ulysses
Preface: Language and Community
The Cyclops
Forgiveness and Forgetfulness
4 JOYCE’S REPRESENTATION OF POLITICAL VIOLENCE
Terrorism in Ulysses
‘Circe’ and 1916
5 ‘POOR LITTLE BRITTLE MAGIC NATION’: Finnegans Wake as a post-colonial novel
6 JOYCE, WOMEN AND NATIONALISM
Preface: ‘The Flesh that Always Affirms’?
Women and the Nation
Notes
Bibliography
Index
ABOUT THE BOOK
Joyce’s relationship to Ireland and Ireland’s relationship to Joyce are intricate issues that have been too often simplified into ready-made oppositions. Emer Nolan exposes the congealed form of these oppositions and shows how they have begun to dissolve in contemporary circumstances. The politics of nationalism and the aesthetics of modernism are re-examined in relation to Joyce’s text to produce a critique of the distinction between a ‘metropolitan’ and a ‘provincial’ Joyce as an explanation for the conflictual elements in his work.
The book asks how the Joyce we read now has been constituted by modernism and how modernism itself has been in part constituted by its appropriation of Joyce. Equally, it asks us to reconsider the avowed hostility of Joyce’s writings to Irish nationalism and the new bearings of his work revealed by post-structuralist and feminist theory.
James Joyce and Nationalism is a timely and groundbreaking work, and an invaluable contribution to Joyce studies.
JJBN: MAHAFFEY-1995
Mahaffey, Vicki. Reauthorizing Joyce. Gainesville: UP of Florida, 1995.
CONTENTS
Foreward to the Paperback Edition by Bernard Bernard
Preface to the Paperback Edition
Acknowledgement
List of Abbreviations
Introduction
Part I “Unitary” Authority
1 The Myth of a Mastermind
Part II Double Authority
2 Authority of the Artist as a Young Man
3 Reflection and Obscurity in Ulysses
Part III Multiple Authorities
4 Text Styles, Textiles, and the Textures of Ulysses
Postscript: “Preseeding” Authorities: Reading Backward
Works Cited
Index
ABOUT THE BOOK
"A particularly rich deconstructive reading of Joyce's texts as well as, by implication, a telling critique of those who 'authorize' and represent Joyce within the 'academic institution'."--Bryan Cheyette, Times Literary Supplement
"Mahaffey's most impressive argument is linking language and clothing (the word 'text' derives from texere, meaning 'to weave'). She demonstrates how language functions like material woven of likenesses and differences by analyzing several patterns of weaving in Joyce's work. . . . Language, the clothing of thought, and clothing, the language of flesh, represent two modes of authority, two processes of reading the world.Reauthorizing Joyce artfully demonstrates how Joyce educates the reader to recognize the interrelationship of these two authorities."--Robert D. Newman, South Atlantic Review
"A welcome study written by an engaging mind. Most Joyceans, especially those who are responsive to post-structuralist and feminist ideas, will read it with great interest and return to it often."--Charles Rossman, James Joyce Quarterly
"Mahaffey makes her way from Dubliners to the Wake, showing not only Joyce-the-Mastermind but also Joyce the Weaver of textile and text-styles."--Carol Shloss, Modern Fiction Studies
Vicki Mahaffey argues that for James Joyce, language is the most important link between the unconscious and the socio-historical. It serves as a precise link beween the psychological and the political, between the individual and the communal, between the future and the past. Quoting Finnegans Wake, Mahaffey describes language as a bag full of "presents."
This first paperback edition of Reauthorizing Joyce suggests that the reader's role in relation to Joyce's novels is more active and significant than is usually the case. "Reading Joyce goes beyond entertainment into 'hands on' instruction about how to perceive and process language more productively, enjoyably, and responsibly. Joyce provides readers with novels that are workshops in interpretive responsibility and sensual perceptiveness."
Language, according to Mahaffey, is the real hero of Joyce's work. This study shows how language functions in Joyce as an index to unconscious desires and as a record of how people have responded to the sensual aspects of language through time.
About the Author
Vicki Mahaffey is associate professor of English at the University of Pennsylvania. She has written numerous book chapters and articles, many on James Joyce, for journals such as Critical Inquiry and James Joyce Quarterly.
JJBN: CHENG-1995
Cheng, Vincent J. Joyce, Race, and Empire. Cambridge: Cambridge UP, 1995.
*90's以後のポストコロニアル批評のあり方を決定づけた一冊。サイードのオリエンタリズム、バーバのミミック理論、アンダーソンの想像の共同体論、グラムシのヘゲモニー論などを援用しながら、ジョイスの全作品を網羅的にポスト・コロニアリズムの観点から分析している。Chengの狙いは一言で言えば、ジョイス論を「美学」から「政治」へと、すなわち「モダニズム」から「ポスト・コロニアリズム」へと転換させることである。とりわけ優れていると思うのが、これまであまり注目されてこなかったジョイスのエッセイや講演から(The Critical Writings of James Joyce)、ジョイスの政治性を抜き出していることだろう。
CONTENTS
List of illustarations
Foreword by Derek Attridge
Preface
Acknowledgments
List of abbreviations
1. Introduction
2. Catching the conscience of a race
Coda: The case of Stephen D(a)edalus
Dubliners: colonialist symptomatics
3. Dubliners: the exoticized and Orientalized Other
4. The gratefully oppressed: Joyce’s Dubliners
5. Empire and patriarchy in “The Dead”
Ulysses: imagining selves and nations
6. Imagining selves
7. Imagining nations
8. Imagining futures: nations, narratives, selves
Finnegans Wake: forays
9. White horse, dark horse: Joyce’s allhorse of another color
10. The general and the sepoy: imperialism and power in the Museyroom
11. Conclusion
Notes
Works cited
Index
JJBN: Fagnoli & GILLESPIE-1995
Fargnoli, A. Nicholas and Michael Patrick Gillespie. James Joyce A-Z: The Essential Reference to the Life and Work. Oxford: Oxford UP, 1995.
CONTENTS
Acknowledgments
Introduction
Abbreviations
A-to-Z Entries
Appendixes
I: Chronology and Adaptations
II: Ulysses
III: Finnegans Wake
IV: Family Trees
V: Periodicals
VI: Bibliographies
VII: Danteline
Index
ABOUT THE BOOK
Arguably the greatest of the modernist writers, James Joyce was a comic genius, a formal innovator and an unsentimental poet of Irish life and language. Explored in his work are such characteristically modern themes as the nature of art, the social responsibility of the artist, the relation of the individual to social institutions, and the meaning of human life itself. In his fiction Joyce pioneered the inner monologue and stream-of-consciousness techniques, and made brilliant use of such devises as parody and pastiche. Through these he transformed the mundane details of daily life into an illuminating commentary on the larger culture.
Meant to be used and consulted while reading Joyce’s work, James Joyce A to Z is written primarily for the reader first encountering Joyce, but will be of great use even to
scholars. In a clear, concise, and accessible fashion, this book supplies the basic cultural, historical, biographical, and critical information necessary for the appreciation and enjoyment of
Joyce’s writings. Indeed, James Joyce A to Z is a user-friendly companion to the man who may well be the most read, studied, and taught of all modern writers.
This essential guide includes:
・Over 800 entries, including detailed synopses and publishing histories of all his works
・Descriptions of major characters, terms, concepts, and places in Joyce’s fiction
・Detailed chronology of his writings
・Profiles of Joyce, his family, immediate circle of friends and colleagues, peers and contempolaries
・Discussions of Joyce’s intellectual and literary influences
・A working outline of Finnegans Wake and Ulysses schema
・Accounts of the censorship battles and legal travails of Dubliners and Ulysses, and the full text of Judge John M. Woolsey’s decisions to lift the ban on Ulysses
・Extensive bibliography and list of periodicals devoted to Joyce
・Numerous illustrations
“Browsers will find previously unknown material, as well as new light on what they have already grasped.”
―Times Literary Supplement
“[A] must-have encyclopedia for Joyce lovers on the run.”
―Literature in Transition
“This work’s breadth, detail, and judicious observation make it a unique resource for scholars and students alike.”
―Choice
A. Nicholas Fargnoli is Professor of Theology and English at Molloy College. He is vice president of the James Joyce Society and founder of the Finnegans Wake Society of New York that
meets regularly at the historic Gotham Book Mart in New York City. Michael Patrick Gillespie is Professor of English at Marquette University. He is the author of a number of books on modern
literature including Reading the Book of Himself: Narrative Strategies in the Works of James Joyce and Oscar Wilde and the Poetics of Ambiguity.
JJBN: WOLLAEGER-1996
Wollaeger, Mark A., Victor Luftig, and Robert Spoo, eds. Joyce and the Subject of History. Ann Arbor: U of Michigan P, 1996.
CONTENTS
Acknowledgments
References to Joyce’s Works
Introduction
Part 1. Critical and Theoretical Prospects
The History of Now: Commodity Culture and Everyday Life in Joyce
Garry Leonard
History as Nightmare: Joyce's Portrait to Christy Brown
R. Brandon Kershner
History as Text in Reverse
Fritz Senn
James Joyce and the Cosmopolitan Sublime
Joseph Valente
Part 2. Ulysses and the Subject of History
Reading Ulysses: Agency, Ideology, and the Novel
Mark A. Wollaeger
"Nestor" and the Nightmare: The Presence of the Great War in Ulysses
Robert Spoo
What Shouts in the Street: 1904, 1922, 1990-93
Daniel Moshenberg
Literary Tourism and Dublin's Joyce
Victor Luftig
Part 3. Finnegans Wake: A Present of the Pat, A History of the Future
"Fantastic Histories": Nomadology and Female Piracy in Finnegans Wake
Vicki Mahaffey
The Critical History of Finnegans Wake and the Finnegans Wake of Historical Criticism
Margot Norris
Ireland from the Outside
Cheryl Herr
A Bibliography of Criticism on Joyce and History
Robert Spoo
Contributors
Index
ABOUT THE BOOK
What did James Joyce think about history? He boasted that Dublin could be rebuilt from the pages of his novels, yet Joyce stopped writing essays and reviews at an age when many authors are just beginning to express themselves on important extra-literary topics – and the Joyce that emerges in biographies and memoirs is notoriously unreliable about history and politics.
In Joyce and the Subject of History, some of the brightest stars in Joyce criticism attempt to tease out the historical implications embedded in Joyce's oeuvre without conceding too much to the comprehensive historical claims of the fictions themselves. At a time when much historical work remains surprisingly under-theorized and much theoretical work excludes the detail and rigor of serious historical research, this collection attempts to bridge the gap between history and theory, to reconceive the field of literary historical scholarship as a whole. As an added resource, the book concludes with Robert Spoo's extensive annotated bibliography of historical work on Joyce.
Despite incorporating shared assumptions and common goals, this collection was not designed to issue in consensus. "Joyce and history" remains, inevitably, an open subject, and the essays in this volume give an idea of just how open that subject is.
Historical scholars of Joyce for years to come will look first to Joyce and the Subject of History. The collection will also appeal to those interested in modernism, twentieth-century literature, Irish studies, or historical models of literary study in general.
Mark A. Wollaeger is Associate Professor of English, Vanderbilt University. Victor Luftig is Associate Professor of English and Director of Writing, Brandeis University. Robert Spoo is Associate Professor of English, University of Tulsa, and editor of the James Joyce Quarterly.
JJBN: BELL-1996
Bell, Robert H. Jocoserious Joyce: The Fate of Folly in Ulysses. Gainesville: U of Florida, 1996.
CONTENTS
Series Editor's Foreword
Preface to the Paperback Edition
Acknowledgement
Abbreviations of Works Cited
Introduction: Why Does Virag Unscrew His Head?
1.Types of Folly
Mercurial Malachi
Poor Dogsbody
I Am a Fool Perhaps
The Way a Body Can Understand
2. The Generic Conditions
That Plenitude of Sufferance
Revival
Magnetic Influence
Incomplete
The Fools Step in Where Angels Principle
3. Carried Away by a Wave of Folly
Re: Doublin'
Echo
Playful Crossfire
Proliferant Continuance
Seriocomic Face
4. Buck Maulligan's Revenge: Or, The Follies of "Indentity"
Who Is He If It's a Fair Question
Folly Am I Writing
Bibliography
Index
ABOUT THE BOOK
"Magical. The satisfying mood that this book creates, and sustains with near-total consistency throughout, carries the narrative flow as jocoseriously as Bell credits Joyce with doing in Ulysses. This is original, incisive, and enlightening criticism, a fresh approach to Ulysses that analyzes the levels and depths of its humor in a language that is consciously witty."―Bernard Benstock
"Bell joins the very thin ranks . . . of those critics who can both capture the humor of Ulysses and communicate its often serious function within the narrative. In the process, he offers new insight into many familiar characters and episodes."--Morton P. Levitt, Journal of Modern Literature
"[Bell's] witty and lucid prose is a pleasure to read, . . . [written] persuasively and fluently."--Austin Briggs, Modern Language Quarterly
"Finally, someone has sanctioned our fun. . . . This book is chockablock with information, references, discoveries, and insights."--Marilyn Reizbaum, James Joyce Literary Supplement
"Students of Ulysses will find Robert H. Bell to be a deft dissector in demonstrating his case for Buck Mulligan as 'a brilliant clown in the Shakespearean tradition,' in proving Bloom 'a holy fool,' and in making Molly a sublimely ridiculous figure whose contradictions 'represent the ultimate ascent of folly.' . . . Professor Bell shows his good sense by quoting at one juncture from the late Jimmy Durante. This is an intricate but humane treatise on 'folly' in Ulysses which finds the three major personae 'richly consistent' and the sources of their selfhood 'surprisingly familiar and traditional.'"--C. J. Fox, Times Literary Supplement
From the foreword to the paperback edition:
"Part of the original design of Florida's James Joyce Series was to keep a few of the landmark Joyce studies in print and accessible to the growing audience for Joyce scholarship. Jocoserious Joyce is one of these: an informative and entertaining treatment of the dual nature of Joyce's comedy in Ulysses. . . . The embellishments of Bell's arguments, consisting often of a number of examples for a given point, regularly put new and delightful twists on passages that have never been examined under a comic lens. We are delighted to include in our list this lasting contribution to Joyce studies."--Zack Bowen, Series Editor
Robert H. Bell is William R. Kenan, Jr., Professor of English at Williams College. He has written widely for academic journals as well as for newspapers and popular magazines.
JJBN: YANASE-1996a
柳瀬尚紀『ジェイムズ・ジョイスの謎を解く』岩波新書、1996年
目次
序章 「当り前」からジョイスを読む
第1章 なんだか「犬」が匂う
第2章 まず、〈俺〉とジョウの会話を解いてみる
第3章 次に、バーニー・キアナンでのやりとりを検証してみる
第4章 〈俺〉の正体
第5章 〈俺〉じゃなくちゃ書けないこと
第6章 最後の謎を解く
訳出部分一覧
あとがき
ABOUT THE BOOK
二〇世紀最大の文学者の一人であるジョイスの代表作『ユリシーズ』。このとてつもなく巨大で重層的な作品に作者は無数の謎をしかけた。なかでもダブリンの安酒場で滔々と語る〈俺〉とは誰か、この作品中最大の謎に緻密な論証により世界で初めて決定的な解答を与え、さらなる謎をも快刀乱麻に読み解いて、文学的スリルと興奮の世界へ誘う。
JJBN: YANASE-1996b
柳瀬尚紀『辞書はジョイスフル』新潮文庫、1996年
CONTENTS
まえがき
第1章 この世に辞書のあるかぎり
たかが語呂合わせ、じゃない
ごごごごご、ががががが
字酔いする言語のヤナセ語変装術
第2章 ことばの回路を八艘飛び
辞書を「引き惚れる」
すべて辞書は一長一長
浮雲にさそわれたい
最後に金銭にふれておくと
第3章 血のかよった訳語をもとめて
『熟語本位英和中辞典』を推す
「めったに日本語を読まない人」はいるか?
古きをたずねて新しきを恥じる
第4章 翻訳やっぱり困りっ話
重箱の隅をつつくつもりはないが
続・重箱の隅をつつくつもりはないが
OEDはホタルイカ賞味せず
補遺
第5章 辞書の百貨店
寝ても醒めても語尾砂漠―逆引き辞典
マドモアゼル【mademoiselle】いろあせる【色褪せる】
しゃっくり引いてエツに入る―類語辞典
歯、日、麸、屁、穂
漱石先生は「払って」ばかり―文章辞典
世幾須比亞がセックスアピールになる―宛字辞典
お釈迦様とて仏陀まげる―中引き辞典
第6章 漢字の海に遊ぶ
ジョイスが呼び寄せる『諸橋大漢和』
字遊高等
「タイ米は米長である」、ウソ、ホント?
贋漢字アート
第7章 電子辞書縦横無尽
直径12cmにのみこまれた全宇宙
無闇とdarkness
ちょん太まっしぐら、猫速CR-ROM版広辞苑
登場辞書一覧
あとがき
解説 荒川洋治
ABOUT THE BOOK
あそびにあそぶ、もてあそびにもてあそぶ、さけびにさけぶ、むせびにむせぶ…どれが○で、どれが×。日本語は難しい。漢字だって負けていない。人の5倍は辞書を引き、人の2倍は辞書が好きという著者が、思う存分辞書の海を遊び回り、言葉の迷宮を彷徨う、無類の面白本。
JJBN: ODA&YOMEMOTO-1996
小田基編、米本義孝注釈『読解「ユリシーズ」』研究社出版、1996年.
目次
はしがき
地 図
序 章 本書への手引き
1 作者と作品
2 『ユリシーズ』について
3 主要な人物
4 本書の利用法と凡例
5 辞書類とその略語
第1章 主人公の朝 第4・5挿話より
1 主人公登場
2 マーサとの文通
第2章 友人の葬儀 第6挿話より
1 ディグナムの出棺
2 葬儀馬車の中
3 プロスペクト墓地にて
4 墓地での瞑想
第3章 午後3時過ぎの登場人物たち 第10挿話より
1 ボイランを待つモリー
2 ボイランの買い物
3 ブルームの好色本探し
4 妹と会うスティーヴン
5 ディグナム少年の意識の流れ
第4章 夕食と音楽と恋文 第11挿話より
1 序曲部あるいはモチーフの提示
2 ブルームの食事とディーダラスの歌
3 マーサ宛ての手紙
4 河岸をぶらつくブルーム
参考文献
JJBN: BLAMIRES-1996
Blamires, Harries. The New Bloomsday Book: A Guide Through Ulysses. 3rd ed. London: Routledge, 1996.
CONTENTS
References
Conversion table
Introductory note
Preface to the third edition
The Bloom and Daedalus family trees
Part I
1 Telemachus
2 Nestor
3 Proteus
Part II
4 Calypso
5 The Lotus Eaters
6 Hades
7 Aeolus
8 The Lestrygonians
9 Scylla and Charybdis
10 The Wandering Rocks
11 The Sirens
12 The Cyclops
13 Nausicaa
14 Oxen of the Sun
15 Circe
Part III
16 Eumaeus
17 Ithaca
18 Penelope
Index
ABOUT THE BOOK
Since 1966 readers nerw to James Joyce have depended upon this essential guide to Ulysses. Harry Blamires helps readers to negotiate their way through this formidable, remarkable novel and gain an understanding of it which, without help, it might have taken several readings to achieve.
The New Bloomsday Book is a crystal clear, page-by-page, line-by-line, running commentary on the plot of Ulysses which illuminates symblic themes and structures along the way. It is a highly accessible, indispensible guide for anyone reading Joyce's masterpiece for the first time.
To ensure that Blamire's classic work will remain useful to new readers, this third edition contains the page numbering and references to three commonly read editions of Ulysses: thr Oxford University Press 'World Classics' (1993), the Penguin 'Twentieth-Century Classics' (1992) and the Gabler 'Corrected Text'(1986) editions.
JJBN: TINDALL-1996
Tindall, William York. A Reader’s Guide to FINNEGANS WAKE(1969). New York: Syracuse UP, 1996.
CONTENTS
Introduction
PART ONE
Chapter I (3-29) Chapter II (30-47) Chapter III (48-74) Chapter IV (75-103) Chapter V (104-25) Chapter VI (126-68) Chapter VII
(169-95) Chapter VIII (196-216)
PART TWO
Chapter IX (219-59) Chapter X (260-308) Chapter XI (309-82) Chapter XII (383-99)
PART THREE
Chapter XIII (403-28) Chapter XIV (429-73) Chapter XV (474-554) Chapter XVI (555-90)
PART FOUR
Chapter XVII (593-628)
Bibliography
Selective Index
ABOUT THE BOOK
“This book remains an eminently lucid and systematic exposition of the essential structure of one of the most complex and influential prose works of the century. It belongs in every library that has Finnegans Wake.” –Library Journal
For years, William York Tindall’s guide has been one of the very best ways to approach the difficult writing and complex language of James Joyce’s Finnegans Wake. Over a period of forty years, Tindall studied, instructed, and most importantly, learned from graduate students about Joyce’s greatest literary masterpiece.
He explores and analyzes Joyce’s unexpected depths and vast collection of puns, allusions, and word plays involving more than a dozen languages, thereby breaking down the formidable barriers that can discourage readers from enjoying the humor and brilliance of Joyce.
William York Tindall was professor of English at Columbia University and the auther of numerous works on Joyce and British literature, including the Reader’s Guide to James Joyce, also published by Syracuse University Press.
NOTES
Finnegans Wakeを「読む」ための本は数多くあるが、Campbellの Skeleton Key (1949) に加えて、非常に早く(1969年)その全体像を伝えたのはTindallである。各章ごとのおおまかな内容と註が付いているため、まずはこの本でおおまかな全体像を掴むのがよいだろう。FWを読む際には常に机に置いておきたい本である。
JJBN: BEJA & NORRIS-1996
Beja, Morris and Norris, David, eds. Joyce in the Hibernian Metropolis. Columbus: Ohio State UP, 1996.
CONTENTS
David Norris, Preface
Acknowlegments
Mary Robinson, Welcome Address
Abbreviations
General Essays
Robert Adams Day, “Joyce’s AquaCities”
Vincent J. Cheng, “Catching the Conscience of a Race: Joyce and Celticism”
David Norris, “OndtHarriet, PoldyLeon and Shem the Conman”
Jeffrey Segall, “Czech Ulysses: Joyce and Political Correctness, East and West”
Louis Lentin, “I Don’t Understand. I Fall To Say. I Dearesee You Too”
Hostile Responses to Joyce
Morris Beja, “Approaching Joyce with an Attitude”
Paul Delany, “’A Would-Be-Dirty-Mind’: D.H. Lawrence as an Enemy of Joyce”
Austin Briggs, “Rebecca West vs. James Joyce, Samuel Beckett, and William Carlos Williams”
Male Feminisms: Approaching “Nausicaa”
Richard Pearce, “Introduction”
Richard Pearce, “’Nausicaa’: Monologue as Monologic”
Phillip Weinstein, “For Gerty Had her Dreams that No-one Knew Of”
Patrick McGee, “When Is a Man Not a Man? or, The Male Feminist Approaches ‘Nausicaa’”
Jennifer Levine, “’Nausicaa’: For [Wo]men Only?”
The Shorter Works
Zack Bowen, “All Things Come in Threes: Ménage à Trois in Dubliners”
James D. LeBlanc, “Duffy’s Adventure: ‘A Painful Case’ as Existential Text”
Ruth Bauerle, “Dancing a Pas de Deux in Exiles’s Ménage à Quatre; or, How Many Triangles Can You Make Out of Four Characters If You Take Them Two at a Time”
Adriaan van der Weel and Ruud Hisgen, “The Wandering Gentile: Joyce’s Emotional Odyssey in Poems Penyeach”
“Aeolus” without Wind
Derek Attridge, “Introduction”
Jennifer Levine, “A Brief Allegory of Readings: 1972-1992”
Daniel Ferrer, “Between Inventio and Memoria: Locations of ‘Aeolus’”
Maud Ellmann, “’Aeolus’: Reading Backward”
The Novels
Sheldon Brivic, “Stephen Haunted by His Gender: The Uncanny Portrait”
Sebastian D. G. Knowles, “That Form Endearing: A Performance of Siren Songs; or, ‘I was only vamping, man’”
Mark Osteen, “Cribs in the Countinghouse: Plagiarism, Proliferation, and Labor in ‘Oxen of the Sun’”
John S. Rickard, “The Irish Undergrounds of Joyce and Heaney”
Thomas L. Burkdall, “Cinema Fakes: Film and Joycean Fantasy”
Ralph W. Rader, “Mulligan and Molly: The Beginning and the End”
Laurent Milesi, “Finnegans Wake: The Obliquity of Trans-lations”
Derek Attridge, “Countlessness of Livestories: Narrativity in Finnegans Wake”
Contributors
Index
ABOUT THE BOOK
This volume collects the best essays from the 1992 International James Joyce Symposium held in Dublin, which had as its title “In the Heart of Hibernian Metropolis.” Dublin, of course, has
special attraction for Joyceans as both the source and subject matter of Joyce's genius, but the essays reproduced here reflect—like the symposium itself—the newest and most exciting trends in
Joyce scholarship from around the world.
The volume includes an introductory essay by the president of the Republic of Ireland, Mary Robinson. The thirty essays that follow were selected from those delivered at nearly 120
different sessions. Faced with so many possibilities, the editors have produced a book that reflects the flavor and intellectual range of the world of Joyce studies as we head divided the volume
into a section of general essays, several groupings organized around special topics (“Hostile Responses to Joyce,” “Male Feminisms,” and “’Aeolus’ without Wind”), and sections dealing with the
novels and the shorter works.
The inclusions range from major addresses to essays on topics as diverse as Joyce and race, elements of imagery in Joyce’s works, the Joyce papers of the National Library, Joyce and
cinema, Joyce’s reputation (including examinations of attacks on his work), Joyce’s relationships with other writers, Leopold Bloom and being Jewish in Ireland, Joyce and feminism, musical
elements in Joyce’s works, Joyce and commodity culture, Finnegans Wake and sexuality, Joyce and homosexuality, Joyce’s narrative strategies, and various theoretical questions. This
collection is a vital contribution to Joycean scholarship and will be of great interest to critics, teachers, and students of James Joyce, as well as those interested in modern literature, Irish
studies, and critical theory.
Contributors: Robert Adams Day, Vincent J. Cheng, David Norris, Jeffery Segall, Louis Lentin, Morris Beja, Paul Delany, Austin Briggs, Richard Pearce, Philip Weinstein, Patrick McGee, Jennifer
Levine, Zack Bowen, James D. LeBlanc, Ruth Bauerle, Adriaan van der Weel, Ruud Hisgen, Derek Attridge, Dabiel Ferrer, Maud Ellmann, Sheldon Brivic, Sebastian D. G. Knowles, Mark Osteen, John S.
Richard, Thomas L. Burkdall, Ralph W. Rader, and Laurent Milesi.
Morris Beja is professor of English at The Ohio State University. He is the author of James Joyce: A Literary Life, Film and Literature, and Epiphany in the Modern Novel; the editor of Perspectives on Orson Welles and Critical Essays on Virginia Woolf; and the coeditor of Coping with Joyce, James Joyce, and Samuel Beckett, among others. He is also the editor of the James Joyce Newsletter.
David Norris teaches at Trinity College, the University of Dublin, and is also a member of the Upper House of the Irish Parliament and a bureau member of the Committee on Foreign Affairs. He is the author of James Joyce’s Dublin and Beginner’s Guide to James Joyce and the coeditor of James Joyce: The Centennial Symposium.
JJBN: INGERSOLL-1996
Ingersoll, Earl G. Engendered Trope in Joyce's Dubliners. Carbondale and Edwardsville: outhern Illinois UP, 1996.
CONTENTS
Preface
1 reading Joyce with Lacan's Readers
2 Rambling Boys: "The Sisters", "An Encounter," and "Araby"
3 Confinement and the Stigma of Femininity: "Eveline," "The Boarding House," and "Clay"
4 The Joking Male: "Two Gallants," "After the Race," "Counterparts," and "Grace"
5 Prisoners of the House and Traveling Women: "A Little Cloud," "A Painful Case," "Ivy Day in the Committee Room," and "A Mother"
6 The Gender of Travel: "The Dead"
7 Notes
Selected Bibliography
Index
JJBN: JACKSON&COSTELLO-1997
Jackson, John Wyse and Peter Costello. John Stanislaus Joyce: The Voluminous Life and Genius of James Joyce's Father. New York: St. Martin's P, 1997.
CONTENTS
Foreword
PART I: Son
1 Ancestral Joyces
2 The Son of a Gentleman
3 At St Colman's
4 Learning to Swear
5 His Father's Son
6 The Queen's College, Cork
7 Young Man About Town
8 Something in a Distillery
9 A Shouting Politician
PART II: Father
10 John and May
11 Another Joyce
12 Being a Gentleman
13 Bray
14 At Bay
15 Crossing the Liffey
16 Halcyon Days
17 A Little Learning
18 A Travelling Man
19 The Boer Constructor
20 A Loving Pair of Sons
21 Shite and Onions
22 Parting Drinks
23 The Language of Music
24 A Shout in the Street
25 The Old Story
PART III: Old Josser
26 The Patriarch Game
27 'A Gentleman No Longer in Politics'
28 Learning to Die
29 Old Man Gone
30 Recirculation
EPILOGUE: The Joyce Family Seat
A Dublin Benchmark
Bibliography
Notes
Index
ABOUT THE BOOK
The life of John Stanislaus Joyce, father of James, Fenian, Parnellite, drunk who claimed to have cured himself of syphilis. Obsessed with the burden of being the only son of an only son, John Joyce himself fathered no fewer than seventeen children with his long-suffering wife (despite many affairs and many engagements he actually married only once) but was concerned only with his eldest surviving son, James. This was through no intrinsic merit on James's part but because of John Joyce's excessive belief in the rights of primogeniture such that all his other children were excluded from his will and those who predeceased him were not even named on the family gravestone. John, as James liked to claim, gave to his son all of his wit: most of the characters in Ulysses are barely disguised friends of his and the incidents from his life pepper James's fiction. John Joyce was the most important person in James's life. But as well as the light thrown on the century's greatest novelist, this is a depiction of the high-spirits, ebulliant passions, deep depressions, good humour and warm linguistic skills of the ultimate Dublin character.
JJBN: POWER&SCHNEIDER-1997
Power, Mary and Ulrich Schneider, eds. New Perspectives on Dubliners: European Joyce Studies 7. Amsterdam: Rodopi, 1997.
CONTENTS
Introduction.
Dynamic Adjustments in Dubliners / FRITZ SENN
Dubliners: Renewed Time after Time / FRITZ SENN
Gnomon and Triangulation: The Stories of Childhood / WOLFGANG KARRER
Joyce's Many Sisters and the Demodernization of Dubliners / WILLIAM JOHNSEN
Joyce's Anamorphic Mirror in "The Sisters" / LAURENT MILESI
"Eveline" and/as "A Painful Case": Paralysis, Desire, Signifiers / WOLFGANG WICHT
Narrative Bread Pudding: Joyce's "The Boarding House" / MARGOT NORRIS
“A Little Cloud” as a Little Cloud / JOHN GORDON
Money and Other Rates of Exchange: Commercial Relations and "Counterparts" / CAROL SCHLOSS
The Craft of "A Painful Case": A Study of Revisions / JANA GILES
The Stories of Public Life / MARY POWER
From Paralysis to Para-lire: Another Reading of "A Mother" / MARIE-DOMINIQUE GARNIER
"Grace" after Piers Plowman: A Comparison of "Grace" and the Medieval Allegory of Glotoun / YVONNE STUDER
Cruxes and Grace Notes: A Hermeneutic Approach to "Grace" / ULRICH SCHNEIDER
JJBN:CORCORAN-1997
Corcoran, Neil. After Yeats and Joyce: Reading Modern Irish Literature. Oxford: Oxford UP, 1997.
CONTENTS
1 Translation
2 A Slight Inflection: Representations of the Big House
3 Lyrical Fields and Featherbeds: Representations of the Rural and the Provincial
4 Views of Dublin
5 Ulsters od the Mind: The Writing of Northern Ireland
Notes
Further Reading
INdex
ABOUT THE BOOK
Irish Literature from the 1920s onwards includes texts which have been the subjects of much critical contention. A literature which has its origins in a time of intense political turmoil, it has provoked various debates to do with definition, scope, and political complexion. This is a period in which ideas of Ireland―of people, community and nation―have been both created and reflected in its writing, and in which conceptions of a distinct Irish identity have been artiulated, defended, and challenged.
The title After Yeats and Joyce suggests the immense influence of these two writers on the styles, stances, and preoccupations of those who have succeeded them in the twentieth century. Neil Corcoran focuses his chapters on specific themes: 'Translatios', "The Big House', ideas of the rural and the provincial , representations of Dublin, and the writing of modern Ireland. Treating such writers as Samuel Beckett, Elisabeth Bowen, Thomas Kinsella, Kate O'Braien, Seamus Heaney, Mary Lavin, and Roddy Doyle, this is a lucid and wide-ranging introduction to modern Irish writing.
’Concoran's book is lively, lucid, interestingly planned, senstitive, and possessed of great breadth.'
―Professor Edward Larrissy Deapartment of ENglish Keele University.
JJBN: TSURUOKA-1997
鶴岡真弓『ジョイスとケルト世界―アイルランド芸術の系譜』平凡社、1997年.
目次
はじめに
第一章 漂白の亡霊―ハーンの旅
愛蘭土 ハーンの亡霊 移民の夢
【アイリッシュ・アメリカン】
第二章 エグザイル―ジョイス/ケルト/アイルランド
エグザイル・エクササイズ 極小のなかの極大 エグザイルのねじれ
ケルティック・ジョイス フィンの帰還
【イギリスの影】
第三章 西方(匕スペリア)の詩学―『ケルズの書』とジョイス
エーコに倣って ジョイス以前のジョイス 原型としての書物 『ケルズの書』
写本パロディー トゥンク・ページ 西方(匕スペリア)の詩学
【ケルト文様】
第四章 西方航海譚(イムラヴァ)―聖ブレンダンの海
アラン島へ 岩の船―ダン・エンガス 死者たちの島 海の巡礼
航海譚(イムラヴァ)―マルドゥーンとブレンダン
ジョイスの「西の海」―「航海」とエグザイル
【波の上の異界】
終章 女神モリガン―ワイルド母子のヒベルノフィリア
ワイルドのアイリッシュネス スペランザの息子 再生 モリガン
注
あとがき
ジョイスの視力―平凡社ライブラリー版あとがきにかえて
解説―極大の渦を巻く 谷川渥
JJBN: RICE- 1997
Rice, Thomas Jackson. Joyce, Chaos and Complexity. Urbana and Chicago: U of Illinois P, 1997.
CONTENTS
Preface: Postmodernism and Superstition
Abbreviations
Introduction: James Joyce, from "Scientific" Realist to Scientific "Realist"
1 The Elements of Geometry in Dubliners
2 The Aliments of Jumeantry in A Portrait of the Artist as a Young Man
3 Ulysses, Chaos, and Complexity
4 Finnegans Wake: The Complexity of Artificial Life
Appendix A: Joyce, Mathematics, and Science
Appendix B: Modern Physics
Notes
Works Cited
Index
ABOUT THE BOOK
"This is the fullest, most articulate case I know of for Joyce's dialogue with the new sciences. It is well written, lucidly argued, and readable." - Robert Spoo, editor, James Joyce Quarterly
"Rice's engagement with chaos and complexity theories is by far the best I've seen by any literary critic. He has a major contribution to make. . . . The time is ripe for this work." - Craig Werner, author of Paradoxical Resolutions: American Fiction since James Joyce
Joyce, Chaos, and Complexity studies the manifold relations among twentieth-century mathematics and science, James Joyce's fiction, and the critical reception of Joyce's work. Calling for profound reassessments, Thomas Jackson Rice compellingly argues that Joyce's work resists postmodernist approaches of ambiguity: Joyce never abandoned his conviction that reality exists, regardless of the human ability to represent it.
Placing Joyce in his cultural context, Rice first provocatively traces the previously unacknowledged formative influence of Euclidean and non-Euclidean geometries on Dubliners and A Portrait of the Artist as a Young Man. He then demonstrates that, whne later innovations in science transformed entire worldviews, Joyce recognized conventional literary modes of representation as offering merely arbitrary constructions of this new reality. Joyce responded to these developmens in Ulysses by experimenting with perspective, embedding design, and affirming the existence of reality. Rice contends that Ulysses is a precursor to the multiple tensions of chaos theory; likewise, chaos theory can serve as a model for understanding Ulysses. In Finnegans Wake Joyce consummates his vision and anticipates the theories of complexity science through a dynamic approximation of reality.
THOMAS JACKSON RICE, a professor of English and director of Graduate Studies at the University of South Carolina, has published research guides on James Joyce, D. H. Lawrence, and Virginia Woolf.
JJBN: BOSINELLI&MOSHER-1998
Bosinelli Bollettieri, Rosa M., and Harold F. Mosher Jr., eds. ReJoycing: New Readings of Dubliners. Lexington: UP of Kentucky, 1998.
CONTENTS
Preface
Introduction / Patrick A. McCarthy
Symbolism, realism, and Style
1. A Book of Many Uncertainties: Joyce's Dubliners / Sonja Bašić
2. The Geometry of Meaning in Dubliners: A Euclidian Approach / Thomas Jackson Rice
3. Clichés and Repetition in Dubliners: The Example of "A Little Cloud" / Harold F. Mosher, Jr.
4. Text at the Crossroads: Multilingual Transformations of James Joyce's Dubliners / Jolanta W. Wawrzycka
Language and Power
5. No Cheer for "the Gratefully Oppressed": Ideology in Joyce's Dubliners / Trevor L. Williams
6. "Taking the Biscuit": Narrative Cheekiness in Dubliners / Claire A. Culleton
7. Joyce's "The Dead": The Dissolution of the Self and the Police / John Paul Riquelme
Gender and Control
8. "She Had Become a Memory": Women as Memory in James Joyce's Dubliners / Raffaella Baccolini
9. Language, Character, and Gender in the Direct Discourse of Dubliners / Marlena G. Corcoran
10. Gendered Discourse and the Structure of Joyce's "The Dead" / David Leon Higdon
Meaning Deferred and Revealed
11. Titles in Dubliners / Ulrich Schneider
12. "A Very Fine Piece of Writing": An Etymological, Dantean, and Gnostic Reading of Joyce's "Ivy Day in the Committee Room" / Michael Brian
13. The Artist Paring His Quotations: Aesthetic and Ethical Implications of the Dantean Intertext in Dubliners / Lucia Boldrini
New Directions
14. Gnomon Inverted / Fritz Senn.
Contributors
Index
JJBN: KENNER-1998
ヒュー・ケナー『ストイックなコメディアンたち』富山英俊訳 未来社、1998年
CONTENTS
序文
ギュスターヴ・フローベール―啓蒙のコメディアン
ジェームズ・ジョイス―目録のコメディアン
サミュエル・ベケット―袋小路のコメディアン
解説
訳者あとがき
JJBN: BUDGEN-1998
フランク・バッジェン『「ユリシーズ」を書くジョイス』岡野浩史訳、近代文芸社、1998年
*原著: Budgen, Frank. James Joyce and the Making of Ulysses.
CONTENTS
原著者序
第一章
第二章
第三章
第四章
第五章
第六章
第七章
第八章
第九章
第十章
第十一章
第十二章
第十三章
訳者あとがき
(原著第14章は「フィネガンズ・ウェイク」に関連するため、翻訳では未訳出となっている。)
JJBN: PLATT-1998
Platt, Len. Joyce and the Anglo-Irish: A Study of Joyce and the Literary Revival. Amsterdam-Atlanta: Rodopi, 1998.
CONTENTS
Bibliographical References
Introduction
1 Opening Encounters
2 Usurper
3 Corresponding with the Greeks
4 Revivalism in Popular Culture: 'Sirens' and 'Cyclops'
5 'Circe' and the Irish Literary Theatre
6 'Our Modern Babylon': Modernity and the National Culture in 'Eumaeus' and 'Ithaca'
7 Engendering Nation: Nationalism and Sexuality in 'Nausicaa', 'Oxen of the Sun' and 'Penelope'
Appendix: The Deliverer and 'Circe'
Bibliography
Index
ABOUT THE BOOK
Joyce and the Anglo-Irish is a controversial new reading of the pre-Wake fictions. Joining ranks with a number of recent studies that insist on the importance of historical contexts for understanding James Joyce, Len Platt's account has a particular focus on issues of class and culture. The Joyce that emerges from this radical reappraisal is a Catholic writer who assaults the Protestant makers of Ireland's traditional literary landscape. Far from being indifferent to the Irish Literary Revival, the James Joyce of Platt's book attacks and ridicules these revivalist writers and intellectuals who were claiming to construct the Irish nation. Examining the aesthetics and politics of revivalist culture, Len Platt's research produces a James Joyce who makes a crucial intervention in the cultural politics of nationalism. The Joyce enterprise thus becomes centrally concerned both with a disposal of the essentialist culture produced by the tradition of Samuel Ferguson, Standish O'Grady and W. B. Yeats, and a redefining of the 'uncreated conscience' of the race.
JJBN: Weaver-1998
Weaver, Jack W. Joyce's Music and Noise: Theme and Variation in His Writings. Gainesville: University. P of. Florida, 1998.
CONTENTS
Foreword
Acknowledgments
Abbreviations
Introduction: Joyce among the Music Theorists
1. Naming and Other Apprenticeship Devices
2. Words Which Are Like Music, Perhaps
3. Ulysses and the Condition of Music
4. Chaos, Noise, and Music in the Wake
Conclusion: Looking Back in Retrospective Arrangement
Appendix A: Alphabetical Letters as Musical Keys
Appendix B: Other Forms, Musical Allusions, and Techniques Mentioned in the Wake
Appendix C: Glossary of Terms and Motifs
Notes
Bibliography
Index
JJBN: LAMOS-1998
Lamos, Colleen. Deviant Modernism: Sexual and Textual Errancy in T. S. Eliot, James Joyce, and Marcel Proust. Cambridge: Cambridge UP, 1998.
CONTENTS
Acknowledgments
List of abbreviations
Introduction
1 Straightening out literary criticism: T. S. Eliot and error
Perversion
Inversion
Impure mingling
Dissemination
2 The end of poetry for ladies: T. S. Eliot’s early poetry
The paternal citation
The maternal intertext
“Hysteria”
“Whispers of Immortality”
“Ode”
The Waste Land
The Family Reunion
3 Text of error, text in error: James Joyce’s Ulysses
Joycean errancy
Cheating on the law of the father
Homosexual secrecy and knowledge
4 Sexual/textual inversion: Marcel Proust
The erotics of reading
Errors of affection: Ruskin, Venice, and reading
Remembrance of Things Past
Conclusion
Notes
Index
JJBN: YUKI-1999
結城英雄『「ユリシーズ」の謎を解く』集英社、1999年.
目次
はじめに
第一挿話 テレマコス
第二挿話 ネストル
第三挿話 プロテウス
第四挿話 カリュプソ
第五挿話 食蓮人たち
第六挿話 ハデス
第七挿話 アイオロス
第八挿話 ライストリュゴネス族
第九挿話 スキュレとカリュブディス
第十挿話 さまよう岩々
第十一挿話 セイレン
第十二挿話 キュクロプス
第十三挿話 ナウシカア
第十四挿話 太陽神の牛
第十五挿話 キルケ
第十六挿話 エウマイオス
第十七挿話 イタケ
第十八挿話 ペネロペイア
結び――物語の行方
注
主要参考文献
あとがき
JJBN: BOHEEMEN-SAAF-1999
Van Boheemen-Saaf, Christine. Joyce, Derrida, Lacan, and the Trauma of History. Cambridge: Cambridge UP, 1999.
CONTENTS
Acknowledgements
List of abbreviations
1 The stolen birthright: the mimesis of original loss
2 Representation in a postcolonial symbolic
The (in) divisibility of the letter
The transference of the text
The semiotic status of the text
3 The language of the outlaw
Acting out the stereotype
The semiotics of narrative
The presence of the void
High modernism / poststructuralism, and the difference of Joyce
Intentionality
Jouissance / the subject who shows
The somatization of the text
Postcolonial agency
4 The primitive scene of representation: writing gender
The supplement of origin
The confessing vagina and the dark continent of femininity
The threat of an ending
Weaving the astral body
Fetishized writing: pen is champ
5 Materiality in Derrida, Lacan, and Joyce’s embodied text
The letter in Lacan
Derrida’s immaterial letter
Derrida and filiation
The materiality of the mother in the void of religion
Conclusion Joyce’s anamorphic mirror
Bibliography
Index
ABOUT THE BOOK
In Joyce, Derrida, Lacan and the Trauma of History, Christine van Boheemen-Saaf examines the relationship between Joyce’s postmodern textuality and the traumatic history of colonialism in Ireland. Joyce’s influence on Lacanian psychoanalysis and Derrida’s philosophy, Van Boheemen-Saaf suggests, ought to be viewed from a postcolonial perspective. She situates Joyce’s writing as a practice of indirect ‘witnessing’ to a history that remains unspeakable. The loss of a natural relationship to language in Joyce calls for a new ethical dimension in the process of reading. The practice of reading becomes an act of empathy to what the text cannot express in words. In this way, she argues, Joyce’s work functions as a material location for the inner voice of Irish cultural memory. This book engages with a wide range of contemporary critical theory and brings Joyce’s work into dialogue with thinkers such as Žižek, Adorno, and Lyotard, as well as feminism and postcolonial theory.
JJBN: MARTIN-1990
Martin, Augustine, editor. James Joyce: The Artist and the Labyrinth. Ryan Publishing, 1990.
CONTENTS
The artist and the labyrinth / Augustine Martin
The language of Dubliners / TP Dolan
Joyce's legacy / Benedict Kiely
Dubliners / John McGahern
Survivors of Joyce / John Banville
A portrait of the artist as a young man / Deirdre Bair
Stephen's green : the image of Ireland in Joyce / Colbert Kearney
The poet Joyce / Eamon Grennan
Directing "Exiles" / Vincent Dowling
The rhythm of Ulysses / Clive Hart
Joyce and Homer : seeing double / Barbara Hardy
The ghosts of Ulysses / Maud Ellman
Finnegan's wake : night Joyce of a thousand tiers / Petr Skrabanek
Joyce and the folk imagination / Maureen Murphy
Joyce's precursors / A Norman Jeffares
Pound's Joyce, Eliot's Joyce / Denis Donoghue
Joyce's humanism / Brendan Kennelly
Joyce and Gogarty : royal and ancient, two hangers-on / Ulick O'Connor
JJBN: BENSOTCK-1994
Benstock, Bernard. Narrative Con/Texts in Dubliners. Macmillan P, 1994.
CONTENTS
A Note on the Text
Introduction: A Confluence of Texts
Narrative Strategies: The Teller in the Dubliners Tale
Narrative Gnomonics: The Spectres in the Tales
Symbolic Systems: Correspondences in the Tales
Pounds/Shillings/Pence: The Economics in the Tales
Double Binds: Talismans of Immaturity
Duplicitous Bonds: Talents of Maturity
Index
JJBN: NORRIS&FLINT-1994
Norris, David and Cark Flint. Joyce for Beginners. Icon Books, 1994.
ABOUT THE BOOK
James Joyce is one of the key innovators of modernism, along with such figures as Picasso, Schoenberg and Stravinsky. However, a myth of Joyce's "difficulty" has taken root which discourages many readers from approaching his work. This is a great pity, because Joyce's writings are deeply human, enormously comic and make compelling reading.;Although Joyce spent much of his life in self-imposed exile, all his writings are obsessively, microscopically focussed on Dublin's fair city. This book provides a beginner's map to the labyrinth of Joyce's visionary Dublin. It takes the reader step by step from the early stories, "The Dubliners", and his immensely readable novel, "A Portrait of the Artist as a Young Man", into the sprawling comic universe of "Ulysses" and finally to the mythic dreamworld of "Finnegan's Wake". This book aims to persuade the reader to overcome his or her doubts about tackling the Irish Sphinx.
JJBN: BOLGER-1995
Bolger, Dermot. A Dublin Bloom: An Original Free Adaptation of James Joyce's Ulysses. New Island Books, 1995.
ABOUT THE BOOK
In 1994 the Dublin novelist and playwright Dermot Bolger was commissioned to adapt the novel Ulysses for the stage as the centerpiece of Philadelphia's celebration of the 90th Bloomsday. A Dublin Bloom is the text of that commission, a dramatic and brilliant re-imagining of Joyce's world in theatrical terms.... A fresh and vigorous work of art. -- Fintan O'Toole
JJBN: THEALL-1997
Theall, Donald. James Joyce's Techno-Poetics. U of Toronto P, 1997.
CONTENTS
Foreword ix
Acknowledgments x
1. Punctum: An Introduction 1
Critical Cartography 3
On Approach 8
Coda 10
Part 1: Quotational Foundations
2. Modernity Draws the Line 15
A Certain History of Quotation 19
Toward Why 23
Marking the Quote 25
3. Joyce's Citational Odyssey 35
Joyce Reads 37
Dubliners: Reverence, Record, Retribution 39
A Portrait: The Quoter's Progress 43
Ulysses: Citation Beside Itself 46
Part 2: Inside the Marks: Implications
4. Self... Style. Joyce... Author 51
A Portrait: A Speaking Likeness 53
The Wizard Endures 62
5. Modern Citation, Modern Historiography 64
The Past Speaks for Itself 66
Saying the Same Thing Twice 71
Joyce and Modernist Citation 73
Part 3: Beyond Quotation: Resistances
6. Moomb 81
Orality vs. Literacy 86
Joyce and Oral Sexuality 90
Molly the Mouth 96
7. Joyce and the Joyceans 101
Against Reading 102
Under the Influence, Joyce and the Joyceans 106
Are We Now Postmodern Critics? 112
Notes 115
Bibliography 125
Index 133
ABOUT THE BOOK
Theall explores the role of science, mathematics, and technology in Ulysses and Finnegans Wake. He argues that Joyce's paramodern poetic practice has important implications for a wide variety of subsequent cultural and theoretical movements.
JJBN: MIHHAIL-1990
Mikhail, E. H., editor. James Joyce: Interviews and Recollections. Macmillan P, 1990.
CONTENTS
Foreword by Frank Delaney
Acknowledgements
Introduction
A Note on the Text
Chronological Table
INTERVIEWS AND RECOLLECTIONS
A Sister Recalls Joyce in Dublin
May Joyce Monaghan
James Joyce at Belvedere College
John Francis Byrne
Reuben Didn't Admire James Joyce!
Francis Aylmer
'The White Bishop'
John Francis Byrne
'Diseases of the Ox'
John Francis Byrne
My School Friend, James Joyce
judge Eugene Sheehy
'An Extremely Clever Boy'
George Russell
'The Younger Generation is Knocking at My Door'
W. B. Yeats
'Joyce has Grit' Lady Gregory 19 'Jim's Character is Unsettled'
Stanislaus Joyce
James Joyce: a Portrait of the Artist
Oliver Stjohn Gogarry
The Beginnings of Joyce
William K. Magee [John Eglinton]
James Joyce as a Young Man
Padraic Colum
Joyce Among the Journalists
Piaras Biaslai
A Recollection of James Joyce
joseph Hone
James Joyce in Trieste
Italo Svevo
James Joyce: Two Reminiscences
Antonio Fonda Savio and Letizia Fonda Savio
Recollections of Joyce
Alessandro Francini Bruni
My First English Teacher
Mario Nordio
James Joyce: an Occasion of Remembrance
Nora Franca Poliaghi
Pappy Never Spoke of Jim's Books
Eileenjoyce Schaurek
Recollections of James Joyce
Frank Budgen
How I Published Ulysses
Sylvia Beach
The Joyce I Knew
Arthur Power
First Meeting with James Joyce
Wyndham Lewis
Visits with James Joyce
P. Beaumont Wadsworth
James Joyce in the Twenties
Morrill Cody
Joyce's Way of Life
Sylvia Beach
Afternoon with James Joyce
Fanny Butcher
I Met James Joyce
Nina Hamnelt
Joyce's Birthday Parties
Sisley Huddleston
At Lloyd Morris's Party
Glenway Wescott
A Drink with Joyce
Ernest Hemingway
With James Joyce
Robert McAlmon
The James Joyce I Knew
James Stephens
I Meet, in Time and Space, JamesJoyce
Robert Reid
At a Party with James Joyce
Caresse Crosby
James Joyce in Paris
Aldous Huxley
We Established No Intimacy
Richard Aldington
James Joyce
George Antheil
A Study of James Joyce
Elliot Paul
Visits fromJamesJoyce
Nancy Cunard
James Joyce: a Sketch
Desmond Harmsworth
James Joyce in Paris
Margaret Anderson
I Saw Joyce Only Once
Katherine Anne Porter
Homage to James Joyce
Eugene Jolas
Homage to James Joyce
Philippe Soupault
Homage to James Joyce
Thomas McGreevy
An Encounter with Joyce
Arthur Bliss
Joyce's Fiftieth Birthday
Rollo H. Myers
Joyce
Virgil Thomson
James Joyce in Paris
Harold Nicolson
James Joyce
Gerald Griffin
James Joyce: a First Impression
James Stern
The Joyces
Giorgio Joyce
Worth Half-a-Dozen Legations Kenneth Reddin
James Joyce in Paris Mary Colum
Some Recollections of James Joyce: in London
Sylvia Lynd
The Living Joyce
Louis Gillet
James Joyce as Man and Artist
C. P. Curran
Sisters of James Joyce Mourn for Two Brothers
Memoir of the Man
Arthur Power
Joyce's Burial
Hans Gasser
I Met James Joyce's Wife
Kees Van Hoek
James Joyce's 'Nurse' Remembers
Peter Lennon
Sister
May Joyce Monaghan
Ecce Puer
Stephen Joyce
Additional Bibliography
Index
ABOUT THE BOOK
This work attempts to provide a portrait of Joyce from many viewpoints, aiming at selecting those interviews and recollections that have not been reprinted as well as those that are not readily accessible. James Joyce was a self-centred man. Unlike Wilde and Behan, who were too busy living to write, Joyce, like O'Casey and Yeats, gave the totality of his life to his art. He did not find his diversion in his friends because of the exigencies of his work. However, he was not unsociable - he was capable of strong friendships and the number of people who knew him was enormous, as this collection tries to reflect.
JJBN: KNOWLTON-1998
Knowlton, Eloise. Joyce, Joyceans, and the Rhetoric of Citation. UP of Florida, 1998.
CONTENTS
Foreword ix
Acknowledgments x
1. Punctum: An Introduction 1
Critical Cartography 3
On Approach 8
Coda 10
Part 1: Quotational Foundations
2. Modernity Draws the Line 15
A Certain History of Quotation 19
Toward Why 23
Marking the Quote 25
3. Joyce's Citational Odyssey 35
Joyce Reads 37
Dubliners: Reverence, Record, Retribution 39
A Portrait: The Quoter's Progress 43
Ulysses: Citation Beside Itself 46
Part 2: Inside the Marks: Implications
4. Self... Style. Joyce... Author 51
A Portrait: A Speaking Likeness 53
The Wizard Endures 62
5. Modern Citation, Modern Historiography 64
The Past Speaks for Itself 66
Saying the Same Thing Twice 71
Joyce and Modernist Citation 73
Part 3: Beyond Quotation: Resistances
6. Moomb 81
Orality vs. Literacy 86
Joyce and Oral Sexuality 90
Molly the Mouth 96
7. Joyce and the Joyceans 101
Against Reading 102
Under the Influence, Joyce and the Joyceans 106
Are We Now Postmodern Critics? 112
Notes 115
Bibliography 125
Index 133
ABOUT THE BOOK
"A new way to discuss Joyce's nearly impossibly complex compositional habits. . . . Knowlton has so sensitized the reader to the issue of ‘quotation’ that . . . [she] permits discussions which have simply not been possible before."--Garry Leonard, University of Toronto
James Joyce never used quotation marks, calling them "perverted" and "unreal." This book springs from that aversion, presenting the first full account of citation from the ancient world forward and tracing Joyce's transgressive relation to that history from Memorabilia to Finnegans Wake.
Eloise Knowlton argues that Joyce's rejection of the mark signals a wider and deeper rejection of the system it implements, one in which the subject/object separation presents an orderly containment of language and of readers. In part through his Irish oral heritage, Joyce inherited a tradition that dissolves these boundaries. Knowlton thus reads Joyce as both hinge and transition, as a voice moving between modern literary and philosophic history and what she calls a "postmodern meltdown of intertextuality."
From the literature of classical antiquity to Foucault, Barthes, and Derrida, Knowlton locates the rhetoric of quotation at four places crucial to contemporary debates: authorship, feminism, historiography, and modern criticism. While exploring the long-standing and incomplete discussion about language ownership, the book offers an original assessment of difficult Joyce texts and Joyce criticism and an illuminating discussion of the status of modern scholarship.
Eloise Knowlton is assistant professor of humanities at Boston University. Her essays have appeared in Style, Children's Literature Association Quarterly, and in the anthology Re-Reading the New.
JJBN: SENN-1995
Senn, Fritz. Inductive Scrutinies: Focus on Joyce. The Johns Hopkins UP, 1995.
CONTENTS
Introductory Scrutinies: Focus on Senn
Instead of a Preface: The Creed
Joyce the Verb
Joycean Provections
In Quest of a nisus formativus Joyceanus
Anagnostic Probes
Sequential Close-Ups in Joyce’s Ulysses
Remodelling Homer
Protean Inglossabilities: ‘To No End Gathered’
‘All Kinds of Words Changing Colour’: Lexical Clashes in ‘Eumaeus’
Eumaean Titbits – As Someone Somewhere Sings
In Classical Idiom: anthologia intertextualis
Beyond the Lexicographer’s Reach: Literary Overdetermination
Linguistic Dissatisfaction at the Wake.
ABOUT THE BOOK
Inductive Scrutinies gathers some of Fritz Senn’s major essays of the last ten years. Based principally on Ulysses, they display anew his regard for Joyce’s text in all its detail. The selection does not attempt a broad overview of Senn’s writing, nor is it organized around a single theme: rather it is meant to show his lifelong interest in the workings of language – its limitations, disruptive energies, its allusive potential within and beyond a single work. In particular it demonstrates continuing concern with the problems of annotation as well as with the reader’s pleasurable and active participation. In the editor’s words, ‘His chosen playground is Joyce as something written, to be scrutinized with dedication. An extraordinary familiarity with the text underlies his response, and his imaginative and nimble explorations always start with and return to Joyce’s word.'
JJBN: LEONARD-1998
Leonard, Garry. Advertising and Commodity Culture in Joyce. UP of Florida, 1998.
CONTENTS
Foreword ix
Preface xi
Introduction: A Capital Couple-Joyce and Advertising 1
1. Advertising and Religion: The New (Improved!) Testament 35
2. Kitschy, Kitschy Coup: "Life" and "History"
in a World of Mass-Produced Objects 50
3. Power, Pornography, and the Problem of Pleasure:
The Semerotics of Desire and Commodity Culture 72
4. The Virgin Mary and the Urge in Gerty:
Praying, Buying, and the Packaging of Desire 98
5. Molly Bloom's "Lifestyle": The Performative as Normative 142
6. When a Fly Gets in Your I: The City, Modernism, and
Aesthetic Theory in A Portrait of the Artist as a Young Man 175
Notes 209
Bibliography 231
Index 237
ABOUT THE BOOK
Garry Leonard looks in detail at Joyce’s representation of a phenomenon that dominates the contemporary landscape: advertising. Taking readers back to its beginnings, Leonard shows that advertising was a central preoccupation of Joyce, one that helps us unravel his often difficult style.
Building on the work of cultural theorists like Lacan, Foucault, Baudrillard, Irigiray, and others, Leonard examines commodity culture in Joyce's work and demonstrates the ways in which characters use (or are used by) modern advertising techniques to make their own identities more intelligible and to fill the Lacanian "permanent lack" of modern identity.
The commonality of religion and advertising, the use of "kitsch" as a rhetorical device, the commodity market's exploitation of the proletariat, the role of pornography, the impact of advertising's "normative" modes of dress and behavior, and the role of the modern city as a modernist trope are all explored as aspects of Joyce's work or as pressures faced by his characters. As Leonard demonstrates, "culture" in Joyce is the product of a complex response to psychological, sociological, political, economic, and aesthetic pressures. In Joyce, advertising, as a product of that culture, serves both to reinforce the hegemonic discourse of the day and to subvert it.
Excellent work has been done on aspects of commodity culture in Joyce by writers as diverse as Bonnie Kime Scott, Jennifer Wicke, and Brandon Kershner (Joyce and Popular Culture, UPF, 1996), but Leonard's is the first comprehensive study of Joyce and the advertising/commodity nexus, certain to be of equal interest to students and scholars of Joyce, modernism, and cultural studies.
JJBN: LERNOUT-1990-2
Lernout, Geert, editor. Finnegans Wake: Fifty Years. Editions Rodopi B. V., 1990.
CONTENTS
Bibliographical Note
Introduction
Geert Lemout
Reading Joyce's Notebooks?! Finnegans Wake From Within
David Hayman
In the buginning is the woid: James Joyce and Genetic Criticism
Claude Jacquet
Digressions of the Book for AlleMannen
Elisabeth Ruge, Reinhard Schafer, Dirk Vanderbeke
Vico's Method and its Relation to Joyce's
Klaus Reichert
Vexations of Group Reading: "transluding from the otherman"
Fritz Senn
Metaphors of the Quest in Finnegans Wake
Laurent Milesi
HCE and the Fall of Pelagius
Vincent Deane
ALP's "Sein" und "Zeit": Questions of Finnegans Wake's Being and Language in a Philosophical Context
Alan Roughley
The Letter! The Litter! The Defilements of the Signifier in Finnegans Wake
Hanjo Berressem
A Nice Beginning: On the Ulysses / Finnegans Wake Interface
Danis Rose & John O'Hanlon
JJBN: LEONARD-1993
Leonard, Garry. Reading Dubliners Again: A Lacanian Perspective. Syracuse UP, 1993.
CONTENTS
Preface
Acknowledgments
1. Spilling Whiskey on the Corpus
Jacques Lacan and Dubliners
2. The Free Man's Journal
The Making of His[S]tory in "The Sisters"
3. The Detective and the Cowboy
Desire, Gender, and Perversion in "An Encounter" 56
4. The Question and the Quest
The Story of Mangan's Sister
5. Wondering Where All the Dust Comes From
Jouissance in "Eveline"
6. Living for the Other in "After the Race"
7. Men in Love
The Woman as Object of Exchange in "Two Gallants"
8. Ejaculations and Silence
Sex and the Symbolic Order in "The Boarding House"
9. "Why had he married the eyes in the photograph?"
The Gaze in "A Little Cloud"
10. In No Case Shall the Said Bernard Bernard Bodley Be...
Repetition and Being in "Counterparts"
11. Where the Corkscrew Was
The Purpose of Insignificance in Joyce's "Clay"
12. Love in the Third Person in "A Painful Case"
13. "It'll be all right when King Eddie comes"
The Pathetic Phallacy in "Ivy Day in the Committee Room"
14. Mrs. Kearney and the "Moral Umbrella" of Mr. O'Madden Burke
A Mother's Quest for the Phallus
15. "With God's grace I will rectify this and this"
Masculinity Regained in "Grace"
16. "Perhaps she had not told him the whole story"
The Woman as a Symptom of Masculinity in "The Dead"
17. Boxing My Own Corner
Notes
Works Cited
Index
JJBN: HEALEY-1994
Healey, George, editor. The Complete Dublin Diary of Stanislaus Joyce. Anna Livia P, 1994.
CONTENTS
Preface
The Complete Dublin Diary
Postscript
JJBN: BLAMIRES-1996
Blamires, Harry. The New Bloomsday Book: A Guide Through Ulysses. Routledge, 1996.
CONTENTS
ABOUT THE BOOK
References
Conversion table
Introductory note
Preface to the third edition
The Bloom and Dedalus family trees
PART I
1 Telemachus
2 Nestor
3 Proteus
PART II
4 Calypso
5 Lotus Eaters
6 Hades
7 Aeolus
8 The Lestrygonians
9 Scylla and Charybdis
10 Wandering Rocks
11 Siren
12 Cyclops
13 Nausicaa
14Cow of the Sun
15 Circe
Part III
16 Eumacus
17 Ithaca
18 Penelope
Index
Jackson, John and Peter Costello. John Stanislaus Joyce: The Voluminous Life and Genius of James Joyce's Father. Fourth Estate, 1998.
CONTENTS
Foreword xiii
PART I: Son
1 Ancestral Joyces
2 The Son of a Gentleman
3 At St Colman's
4 Learning to Swear
5 His Father's Son
6 The Queen's College, Cork
7 Young Man About Town
8 Something in a Distillery
9 A Shouting Politician
PART II: Father
10 John and May
11 Another Joyce
12 Being a Gentleman
13 Bray
14 At Bay
15 Crossing the Liffey
16 Halcyon Days
17 A Little Learning
18 A Travelling Man
19 The Boer Constructor
20 A Loving Pair of Sons
21 Shite and Onions
22 Parting Drinks
23 The Language of Music
24 A Shout in the Street
25 The Old Story
PART III: Old Josser
26 The Patriarch Game
27 'A Gentleman No Longer in Politics'
28 Learning to Die
29 Old Man Gone
30 Recirculation
EPILOGUE: The Joyce Family Seat A Dublin Benchmark
Bibliography
Notes
Index
JJBN: RICKARD-1998
Rickard, John S. Joyce's Book of Memory: The Mnemotechnic of Ulysses. Duke UP, 1998.
CONTENTS
Acknowledgments
Introduction
1. Personal Memory and the Construction of the Self
2. The Past as Obstruction
3. Memory, Destiny, and the Limits of the Self
4. Joyce's Mnemotechnic: Textual Memory in Ulysses
5. Intertextual Memory
Conclusion
Appendix
Notes
Bibliography
Index
JJBN: WARNER-1993
Warner, John. Joyce's Grandfathers: Myth and History in Defoe, Smollett, Sterne, and Joyce. U of Georgia P, 1993.
CONTENTS
Preface
Acknowledgments
Abbreviations
I Myth, History, and Mediation
2 Mythic and Historic Time in Defoe
3 Mythic and Historic Language in Smollett
4 Mythic and Historic Plotting in Sterne
5 Time, Language, and Plot in Ulysses
Conclusion
Notes
Bibliography
Index
ABOUT THE BOOK
Deriving its title from Stephen Dedalus's observation in "Ulysses" that the artist is the "father of all his race, the father of his own grandfather", "Joyce's Grandfathers" is a study of literary relationship and the ways in which a truly new work of art can shed new light on the themes and techniques of older ones. John M. Warner first places "Ulysses" within the tradition of the English novel and then reads the works of earlier writers - Defoe, Smollet and Sterne - "through the lens" of Joyce's masterpiece. The result is a significant addition to the study of both 18th- and 20th-century literature. Warner contends that Joyce's experimentation with narrative form was in large part a reaction against the realistic, diachronic mode of fiction that predominated during the 19th century. In Defoe, Smollet, and Sterne, Joyce found not only earlier challenges to that mode but also "a revolutionary nostalgia for myth that paralleled his own response to his rationalistic culture". Yet their works also revealed a clear responsiveness to historical circumstances, creating a tension between the timelessness of myth and the chronology of history.
Unlike the realists, these particular 18th-century novelists "did not try to conceal the tensions between the synchronic and diachronic thrusts of their fiction but rather explored them openly, unafraid of jagged edges and cacophonous effect". It was these explorations that Joyce found especially useful in the writing of "Ulysses". By compelling us to look backward and to see what he saw in his 18th-century forebears, Warner argues, Joyce "recreates" them for us. This study is thus as much an effort to recontextualise the writing of Defoe, Smollet, and Sterne as it is to place "Ulysses" within the tradition of the English novel. The usual mode of the literary historian is to locate the influence of an earlier work on a later one. By deliberately evoking a double perspective on literary history, however, Warner enables us to understand how Joyce both uses and creates a tradition for his novel - how he "fathers his own grandfathers".
JJBN: JACKSON&MCGINLEY-1993
Jackson, John Wyse and Bernard McGinley. James Joyce's Dubliners: An Annotated Edition. Sinclair-Stevenson, 1993.
CONTENTS
Map: North central Dublin
Introduction
Map: South central Dublin
Childhood
THE SISTERS
Irish Homestead version of "The Sisters'
AN ENCOUNTER
ARABY
Young Adulthood
EVELINE
AFTER THE RACE
Two GALLANTS
THE BOARDING HOUSE
Mature Life
A LITTLE CLOUD
COUNTERPARTS
CLAY
A PAINFUL CASE
Public Life
IVY DAY IN THE COMMITTEE ROOM
A MOTHER
GRACE
'The Dead'
THE DEAD
Acknowledgements
ABOUT THE BOOK
This brilliantly annotated and fully illustrated text, with over 300 line drawings and photographs, is the ultimate Joyce volume, a classic for Joyce and Dublin Lovers for years to come.